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Showing posts with label rachel mcadams. Show all posts
Showing posts with label rachel mcadams. Show all posts

Wednesday 19 February 2014

"About Time". A Review Of The 2013 Film Now On A 2014 BLU RAY.



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ABOUT TIME the 2013 Movie on on BLU RAY

"…Big Cupboards Are Very Useful…"

Richard Curtis' Sixth Film "About Time" (2012) opens with a killer monologue that establishes Tim’s largely crackpot family living out an all weathers idealized existence in a house by the sea in Cornwall. Book-loving table-tennis playing Father and unsentimental solid Mum are portrayed by the formidable British talent of Bill Nighy and Lindsay Duncan - while Tim’s scatological but adorable sister Catherine (nicknamed Kit Kat) kisses her equally absent-minded Uncle Desmond on the cheeks at every possible opportunity (lovely work by Lydia Wilson and Richard Cordery). But then Tim ("too skinny…too ginger…") gets called into Dad’s library on his 21st birthday to be told the big secret – all the males in the family can travel back in time to their own past and alter/relive it (you can’t shag Helen of Troy unfortunately – too far back - damn). All you need to do is to find a dark place somewhere (dialogue above), clench your fists, think about the time and place you want to be – and boom - you’re suddenly there.

At first Tim uses this newfound tool to fix his nerd-like behaviour with Polly in a New Year’s Eve Party blunder (a midnight kiss he should have engaged in first time around) and second - he deftly rubs suntan lotion into the bikinied-back of the visiting American lustbucket Charlotte (the stunning Margot Robbie) instead of spilling it all over her like a twat. But then Tim twigs that he can use his cupboard jaunts to get to his real quest – the 'motherlode' – love. And after he meets the magical American girl Mary (Rachel McAdams) in the London cellar of a blind person's cafĂ© – Tim (Brendan Gleeson’s son Domhnall Gleeson) realizes that this woman is his future and must bend all things (including time) to that purpose. And on it goes to moving in, marriage, children, car-crash scares with sister Kit Kat and medical problems with a father who can manipulate the clock too but not outrun it…

This is Richard Curtis so when "About Time" is funny – it’s blindingly so. Tom Hollander’s character Harry gets the lion’s share of great lines. Blocked writer and perpetual curmudgeon Harry points to a picture - "This is my daughter. Would you like to have sex with her? Apparently everyone else has…" As his new much-anticipated West End Play bombs because two huge stage actors go dry – Tim nips back in time and 'does' both so that they remember their lines and 'genius' appears in the newspaper reviews instead of 'disaster of Titanic proportions' (short but priceless cameos from Richard Griffiths and Richard E Grant). And of course there's the music score with beautifully chosen songs by Paul Buchanan of The Blue Nile and members of The Waterboys busking on the London underground. All seems well – all the boxes are ticked - but then there are those one-too-many 1 to 4 star reviews for this movie – some even loathing it from a height.

“About Time” has its problems for sure…about half way through - the endless ducking back in time starts to become tedious (more than a passing resemblance to "Groundhog Day") and the story gets darker to a point where it doesn’t seem to know what it is anymore. And all too many scenes feature tea by the beach and skimming stones and pretty London locations that no mere mortal can afford. Worse – its hard to believe the dweeb lead would ever score a babe like Mary or Charlotte in the real world (so credibility is stretched throughout) and all those clunky nerd mannerisms that once seemed so endearing start to irritate instead of please. But – and this is again a Richard Curtis film – there’s truly beautiful and touching scenes in amongst all the forced madcap – moments with his sister and father – moments with his children – moments with his friend Rory (Joshua McGuire) where he savours life and all that surrounds them instead of being too busy to notice it…

Defaulted to 1080p Widescreen 2.40:1 - there are bars above and below – but even stretched the picture quality is really lovely - especially on the coastal home scenes and the night locations in the West End. Audio channels are English DTS-HD 5.1, French, Italian, German, Spanish DTS Surround 5.1 and finally English Audio Description 2.0. Subtitles include English SDH, French, Italian, German, Spanish, Danish, Dutch, Finnish, Icelandic, Norwegian, Portuguese, Swedish and Arabic.

The extras are impressive and very enjoyable:
1. Four Deleted Scenes with introductions by Richard Curtis
2. Blooper Reels: Making Movies Is A Serious Business
3. About Tim and Time Travel
4. The World Of Richard Curtis
5. "The Luckiest" Music (a short piece about Ben Folds and his new version of the song)
6. Ellie Goulding “How Long Will I Love You” Video
7. Feature-length commentary with Director Richard Curtis and Actors Domhnall Gleeson, Bill Nighy, Vanessa Kirby (who plays Joanna – Mary’s friend), Lydia Wilson and Tom Hollander

"Four Weddings And A Funeral", "Notting Hill", "Bridget Jone's Diary", "The Boat That Rocked" and especially "Love Actually" – I'd say that’s a pretty impressive run. I don’t know if "About Time" will get the repeated viewings those illustrious predecessors do – but it has more real charm in it than most trite rom-coms and the theme of his father's love and loss moved me more than I care to admit to.

There are some who see Richard Curtis and his writing as a Great British National Treasure. Well I'm Irish and I'd be one of them. Spend a few hours with "About Time" – it will reward you for doing so…

Sunday 25 January 2009

“Married Life” – The Movie. A Review of the 2008 Film on BLU RAY.






“Did We Build Our Happiness On The Unhappiness of Others…?”

Name-checking the top grade cast in "Married Life" - a sort of 40's/50's film noir tale of marital shenanigans - will be enough to draw most movie lovers in. And while Patricia Clarkson and Rachel McAdams are typically lovely, deep and believable in their roles, it's the two men - Pierce Brosnan and Chris Cooper - who really get to shine.

Its directed by IRA SACHS (pictured below) and adapted by him and ORAN MOVERMAN from the 1953 book by JOHN BINGHAM called "Five Roundabouts To Heaven".
Narrated by Richard (Brosnan's character), you just know you're going to enjoy this story when you hear him casually say, "I always thought marriage was a mild kind of illness...like the Flu or Chicken Pox...to which I was safely immune". Brosnan's tone throughout the narration changes - at first it's sly and laidback and suave - so you're not sure if he's the good guy or the bad guy - or both - and nor do you want to know - because in this clever and beautifully revealing film, the finding out is half the fun...

And who out there in movie land doesn't want to see a film with Chris Cooper in it? Harry (Cooper's character) is in a stagnating but not entirely loveless marriage to Pat (Clarkson). Then along comes the young, alive and beautiful Kay (McAdams) who stirs Harry's very soul - but alas also grabs the loins of the caddish Richard (Brosnan) - his lifetime buddy and pal. Friendships are tested, plots are formed and everyone drinks loads of scotch and smokes acres of cigarettes and acts as if nothing is wrong...

The boys as you can imagine - given meaty material - are great. Warm, cold, up, down - Cooper layers his performance - and he slyly fools you too by doing so. Brosnan is still great eye-candy and effortlessly charming - caddish one moment - genuine the next - he plays his character both ways - and does it very, very well. McAdams is enough to make most grown men weak at the knees and Patricia Clarkson - who probably has the least likeable of roles - makes you empathize with here character as a real person - a great performance from a genuine class act. In fact, you can just 'feel' how all the actors are rising to the slyness in the story - and you suspect they thoroughly enjoyed both working off each other and making this intelligently written little gem.

Visually it's period Americana - were in MAD MEN territory here - it's gorgeous to look at - and very "Shawshank" in places on the outdoor scenes - an absolute blast to view on Blu Ray.

The real unexpected pleasure, however, comes in 3 fully realised Alternate Endings that are almost as enjoyable as the entire movie - and without spoiling it - they take the story to other places - and brilliantly too. Brosnan - in particular - is exceptionally good.

There's a commentary by director and co-script writer Ira Sachs, but it's a damn shame there isn't an on-set segment - because here's actors and a movie you admire - and that would have been just great to get the writer and director's perspective too outside of hearing the entire film commentary

Not a masterpiece for sure, but a great little watch nonetheless and one that deserves your attention.

"Did We Build Our Happiness On The Unhappiness of Others...?" Brosnan asks towards the end of his voice over - watch this 'classy' little noir thriller to find out...


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