"Tapestry" by CAROLE KING featuring James Taylor, Joni Mitchell and Danny Kotchmar (June 2008 UK Epic/Legacy 2CD 'Legacy Edition' Reissue and Remaster by Vic Anesini) - A Review by Mark Barry...

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"…Of Rich And Royal Hue…"

I can vividly remember a girlfriend I had in the early Seventies in her faded jeans, cheesecloth smock and fabulous crimped long hair. She was far too pretty for me to be with - looking like one of those dream babes in Cameron Crowe's Seventies homage movie "Almost Famous" - the ones that inspire songs and poetry and a serious amount of effort in the 'trying-to-impress-with-how-witty-I-am' department. But I also remember her baggage as she walked towards me that sunny summer afternoon - clutching not a satchel full of hairbrushes and makeup - nor a copy of Tolkien's "Lord Of The Rings" (how odd) - but her used vinyl copy of Carole King's "Tapestry" album on A&M/Ode Records. She was clutching it tightly under her right arm so that it didn't fall from her grasp onto the unforgiving Dublin pavement below - protecting the LP like it was girly life itself. And smiling as she got closer - I kind of knew that its presence under her arm had a purpose - this nice but slightly dim guitar-mad Irish boy would need to be educated on something other than Deep Purple and Black Sabbath...

15 weeks at Number 1 when it was released in 1971, Rolling Stone's coveted album of the year award, four Grammy nominations, selected by the American Library of Congress for placing in The National Recording Registry and 20 gazillion sales ever since. And that's not to mention in the 11's an entire Broadway Musical based around it that regularly brings audiences to their feet with tears streaming down their cheeks (the Tony winning show "Beautiful") - it doesn't get much more iconic than Carole King's mighty "Tapestry" album. And I'm thrilled to say that this 2008 2CD "Legacy Edition" does that singer-songwriter milestone an audio solid. Here are the bare feet and the cat in the windowsill details...

Released June 2008 - "Tapestry" by CAROLE KING on Ode/Epic/Legacy 88697 11455 2 (Barcode 886971145526) is a 2CD 'Legacy Edition' Reissue and Remaster that breaks down as follows:

Disc 1 (44:37 minutes):

1. I Feel The Earth Move [Side 1]

2. So far Away

3. It's Too Late

4. Home Again

5. Beautiful

6. Way Over Yonder [Side 2]

7. You've Got A Friend

8. Where You Lead

9. Will You Love Me Tomorrow?

10. Smackwater Jack

11. Tapestry

12. (You Make Me Feel Like) A Natural Woman

Tracks 1 to 12 are the album "Tapestry" - released February 1971 in the USA on Ode/A&M Records SP-77009 and in the UK on Ode/A&M Records AMLS 2025

Disc 2 (38:19 minutes):

1. I Feel The Earth Move

2. So Far Away

3. It's Too Late

4. Home Again

5. Beautiful

6. Way Over Yonder

7. You've Got A Friend

8. Will You Love Me Tomorrow?

9. Smackwater jack

10. Tapestry

11. (You Make Me Feel Like) A Natural Woman

Tracks 1 to 11 are all PREVIOUSLY UNRELEASED live versions featuring Carole just on a piano - they were recorded in Boston, Massachusetts in 1973, Columbia Maryland, Central Park in New York and in the San Francisco Opera House in 1976 (no dates nor other details given).

In a rather nigglesome but understandable move - the Side 1 and Side 2 LP labels repro'd under the see-through plastic CD trays on either side of the digipak are for Epic PE 34946 - the 1977 Epic/Ode Records reissue version (when Columbia took over its distribution). They should be for the 1971 Ode/A&M SP-77009 original. The 22-page colour booklet is pretty, reproducing the text and lyrics to every song in the same typography as the album artwork. There's a repro of "The Hollywood Reporter" from 15 March 1972 when she swept the Grammy boards (along with a snap of her clutching the same), period photos of Carole with Engineer HANK CICALO and Producer LOU ADLER, backing musicians JONI MITCHELL and JAMES TAYLOR - as well as her band - DANNY "Kootch" KOTCHMAR (Guitars), RUSS KUNKEL (Drums), CHARLES LARKEY (Bass) and RALPH SCHUKETT (Keyboards). There's short but informative liner notes on the album and its legacy by HARVEY KUBERNIK - a well known contributor to Rolling Stone and author of two books on Rock Music.

But the big news is a new BOB IRWIN and VIC ANESINI remaster which to my ears has given the notoriously low-fi album a beautiful fulsome polish - her voice and the instruments are lovely - warm and clear. Not to be outdone - my heart sank when I saw that Disc 2 was filled with 'live' versions - but as they're just her and a piano - they're beautifully intimate ("Way Over Yonder" in particular is gorgeous and features a storming vocal). Her voice cracks on a few and she hits a few bum notes here and there (probably why they've been in the can up until now) but most are well worthy of inclusion.

Even as the opening keys of "I Feel The Earth Moves" hit you - you're tingling. Once into "So Far Away" and "It's Too Late" - resistance is pretty much futile. James Taylor's acoustic guitar on the gorgeous "Home Again" is so subtle yet underlies the whole song as it aches its way into your heart. And those Sixties classics done by someone else now get their owner's touch - "Will You Love Me Tomorrow?" and the sublime "(You Make Me Feel Like) A Natural Woman". And the title track never ceases to move me (lyrics above).

Uplifting, life affirming, nourishment for the soul - its all on "Tapestry". And now that touchstone in all our lives is better....

"The Pearl Sessions" by JANIS JOPLIN (April 2012 2CD Sony/Legacy Reissue and Remaster) - A Review by Mark Barry...

This review is part of my Series "SOUNDS GOOD: Exceptional CD Remasters 1970s Rock And Pop" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

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"…Your Love Brings Life To Me…"

Most Janis Joplin fans will already own the 2CD Legacy Edition of "Pearl" issued in June 2005 - so what's different on this new April 2012 double?

That 2005 Legacy 2CD Reissue had 8 previously unreleased recordings spread across its 29 tracks – three alternate takes from the album sessions on Disc 1 - "Move Over", "My Baby" and "Pearl" - with 5 new live tracks on Disc 2 recorded in Canada in July 1970 on the Festival Express Tour – "Summertime", "That's Rock'n'Roll", "Try (Just A Little Bit Harder)", "Piece Of My Heart" and "Cry Baby". I mention all of the above because although the three studio outakes reappear on Disc 2 of this new 2012 edition - none of the live stuff does – so you may not want to throw that 2005 2CD baby out of your bathwater just yet. Here are the finite details for the new issue…

Released 16 April 2012 in the UK (17 April in the USA) - "The Pearl Sessions" by JANIS JOPLIN on Sony/Columbia/Legacy 88697842242 (Barcode 886978422422) is a 2CD set and plays out as follows:

Disc 1 (58:32 minutes):

1. Move Over [Janis Joplin song]

2. Cry Baby [Jerry Ragovoy and Bert Barns song - Garnet Mimms cover]

3. A Woman Left Lonely [Dan Penn and Spooner Oldham cover]

4. Half Moon [John and Joanna Hall cover]

5. Buried Alive In The Blues [Nick Gravenites song]

6. My Baby [Jerry Ragovoy and Mort Shuman song - Garnett Mimms cover] [Side 2]

7. Me And Bobby McGhee [Kris Kristofferson cover]

8. Mercedes Benz [Janis Joplin/Michael McClure song]

9. Trust Me [Bobby Womack cover]

10. Get It While You Can [Jerry Ragovoy and Mort Shuman song – Howard Tate cover]

Tracks 1 to 10 are the album "Pearl" – released January 1971 in the USA on Columbia PC 30322 and in the UK on CBS S 64188."Pearl" was the nickname given Janis by her backing group the FULT TILT BOOGIE BAND. Produced by PAUL A. ROTHCHILD (famous for his work with The Doors) - it was also her last studio album and released posthumously after her tragic death from a heroin overdose on 4 October 1970 aged only 27. The vast majority of the LP had been recorded (prior to her passing) throughout September 1970 with "Mercedes Benz" done on the 1st of October. It reached number 1 on the USA album charts and number 20 in the UK.

BONUS TRACKS:

Tracks 11 and 12 are "Me And Bobby McGee" and "Half Moon" the MONO SINGLE MASTERS – the A & B-side of Columbia 4-45314 released January 1971 in the USA (reached number 1) and on CBS S 7019 in the UK. The A-side is a Kris Kristofferson/Fred Foster song first covered by the country singer Roger Miller in 1969 on Smash Records

Track 13 is "Cry Baby" the MONO SINGLE MASTER – it was released as the A-side of Columbia 4-45379 in May 1971 in the USA ("Mercedes Benz" was the flip). It was also released in the UK on CBS S 7217  

Tracks 14 and 15 are "Get It While You Can" and "Move Over" the MONO SINGLE MASTERS – the A & B-side of Columbia 4-45433 released September 1971 in the USA (no UK version)

Track 16 is "A Woman Left Lonely" the MONO SINGLE MASTER – it was mixed into mono for single release, but withdrawn

Disc 2 – The Pearl Sessions & More… (75:17 minutes):

Tracks 1 to 18 consist of five "Overheard In The Studio" segments put between 13 album outakes (Tracks 2, 4, 6, 7, 8 10, 12, 14 and 16 are PREVIOUSLY UNRELEASED)

Track 19 is a live cover version of the Etta James Chess Records classic "Tell Mama" – it was recorded 26 July 1970 in Toronto and first released on the "Farewell Song" compilation in 1982

Track 20 is a cover of the John and Johanna Hall song "Half Moon" – it was recorded live 3 August 1970 on US TV program "The Dick Cavett Show"

The 3-way foldout card sleeve looks nice 'until' you actually try to get either CD out of their respective flaps without ripping the cardboard on the way out or scuffing the discs putting them back in again. I'd suggest you proceed with care – or better still - keep them in a plastic CD envelope to avoid damaging either disc.

The 24-page booklet has liner notes by HOLLY GEORGE-WARREN that discuss the forming of her backing band FULL TILT and the myriad of great writers used for the songs on the album (of the ten tracks only "Move Over" and "Mercedes Benz" are her own compositions). The text is peppered with new photos of Janis and her band live on stage, a snap of her laughing with Kris Kristofferson, reproductions of trade adverts and master tape boxes - and a great outtake of the iconic front cover artwork where she's reclining on her favorite chez lounge. There's also a very affectionate and witty interview at the end (before the discography details) with the late Paul Rothchild. Conducted by Laura Joplin (her younger sister) it has Rothchild recalling the powerhouse presence of the woman and her in-the-flesh effect on a lethargic concert crowd (very funny, very Janis). It's all very nicely done and a properly great read too. 

Celebrated engineers and tape transfer experts BOB IRWIN and VIC ANESINI have done the production and mastering - and although the album is notoriously hissy in places – the sound here is the best I've ever heard it. The power on the Dan Penn and Spooner Oldham ballad "A Woman Left Alone" is incredible – really bringing to the fore Ken Pearson's Organ work complimenting her blistering vocals. The mono single mixes in particular are very clean too.

Album highlights for me include the John and Johanna Hall song "Half Moon" (lyrics above) where her band funks it out as she loses herself in the positivity of the words (John Hall later formed Orleans and had a Number 5 hit with "Still The One" in the summer of 1976). Another tune I love which now sounds fabulous is the Side 1 finisher "Buried Alive In The Blues". It was meant to have vocals laid down over the backing track - but of course it never happened because of her loss. Having said that - in a strange kind of way both the song and the album benefited from this unintentional instrumental because it funked things up considerably and highlighted the full power of her awesome backing band FULL TILT. Ken Pearson's Organ, John Tilt's Guitar and Richard Bell's Piano all shine so much on this belter. Then there's Bobby Womack playing acoustic guitar on his own "Trust Me" - a lovely piece on here (what a shame they didn't duet together). But the album belongs to her huge voice and loveable personality which is beautifully realised on the witty "Mercedes Benz" – an Acapella ditty "…of social and political import…" which brings a smile to my face even now - a full 40 years after the event…

But the big draw here for collectors will be Disc 2 - which features previously undocumented tapes found only recently which offer us fantastic alternate versions of album cuts like the Howard Tate cover "Get It While You Can" and Takes 6, 13 and 17 of her own "Move Over". There's an alternate version of "My Baby" where the band sounds just 'so' soulful – a song especially written for her by legendary songwriters Jerry Ragovoy and Mort Shuman. Better still is that five of these alternate gems are preceded by 'overheard in the studio' segments that include band and producer chatter, in-jokes and general goofing around in the studio as the tapes roll. Track 15 is probably the best of them - a false start for "Get It While You Can" is stopped because she deems the version too 'sleepy' and her voice too 'ragged' (it sounds magical to me). Later there’s even jokes – Janis' love interest in the 'nerd' President Nixon! It’s all so intimate and fans will love it.  

To sum up then – a blinding remaster of a great album – and a second CD to make fans weak at the knees. What a heartbreak that she isn’t around to enjoy it. In fact there's a photograph on Page 19 of the booklet that shows one of the WEHR equipment carrying cases where large words are stencilled on its side - JANIS JOPLIN – FRAGILE. It turned out to be sadly true.

Oft imitated but never bettered – Janis is sorely missed. Well at least this wonderful 2CD reissue does her and her band's legacy proud. Well done to all involved and recommended big time... 

"Steve McQueen" by PREFAB SPROUT. Their Stunning 1985 Album Is Given A Beautiful New Remaster & Brilliantly Reinterpreted Acoustic Versions On A 'Legacy Edition' 2CD Reissue in 2007 - A Review by Mark Barry....

"...You Surely Are...A Truly Gifted Kid..." 

Following on from their hugely promising February 1984 debut “Swoon" - England's PREFAB SPROUT took many English and Irish hearts by storm in the summer and autumn of 1985 with their stunning 2nd album "Steve McQueen".

Rated by many as being in the Top 50 albums of all time - this 2 April 2007 'Legacy Edition' Reissue of "Steve McQueen" by PREFAB SPROUT on Sony BMG/Legacy/Kitchenware 88697072442 is a long overdue 2CD celebration of that bedsit staple - the album Remastered on Disc 1 with brand new Paddy McAloon interpretations on Disc 2 of 8 songs (beautifully recorded and done). Here’s the layout…

Disc 1 "Steve McQueen – Original Album Remastered" (45:13 minutes):

1. Faron Young [Side 1]

2. Bonny

3. Appetite

4. When Love Breaks Down

5. Goodbye Lucille No. 1

6. Hallelujah

7. Moving The River [Side 2]

8. Horsin’ Around

9. Desire As

10. Blueberry Pies

11. When The Angels

Tracks 1 to 11 are the album "Steve McQueen " - issued June 1985 in the UK on Kitchenware Records KW 3 (Vinyl, Cassette and CD). The US version was called "Two Wheels Good" for contractual reasons and was issued on Epic 40100.  The US CD version contained 3 bonus tracks - "Faron Young (Truckin' Mix)", "The Yearning Loins" and "He'll Have To Go" - they were not included on the UK version - nor unfortunately included here on this reissue either. This Legacy reissue is remastered by original producer THOMAS DOLBY at The Mastering Lab in Los Angeles  - he also contributes recollections to the liner notes.

Disc 2 – "New Acoustic Versions by Paddy McAloon" (35:00 minutes):

1. Appetite

2. Bonny

3. Desire As

4. When Love Breaks Down

5. Goodbye Lucille No. 1

6. Moving The River

7. Faron Young

8. When The Angels

Tracks 1 to 8 are brand new acoustic re-interpretations by Paddy McAloon (band's principal songwriter) of 8 tracks from the original 11 - they were recorded across the summer of 2006.

The 2CDs are housed in a card gatefold digipak (where's the Legacy Edition Protective Plastic outer wrap?), have motorbike logos on the CDs and a scant 12-page booklet with liner notes by PAUL LESTER. There are some new photos - outtakes from the album cover shoot, but bizarrely the original inner sleeve of the LP depicting the members of the band and giving recording details - is missing. But worse is the lack of musical extras. Between October 1984 and as late as February 1986, no less than 6 singles came off the album in the UK - When Love Breaks Down was put out 3 times  - Faron Young, Appetite and Johnny Johnny were issued also - between them and their multiple formats, they produced as many as 12 unreleased B-sides and mixes. As you can see from the playing time on both discs, there was plenty of room for remasters of these rarities. They will probably never see the light of day now - which is maddening - especially on a supposed collector's edition. However, the other way of looking at it is this - presented as is - this reissue forces you to focus 'only' on the album proper - and the new acoustic tracks - and as they stand - they make for a truly sensational listen. So I can see why McAloon would want the album presented in this way, it's just disappointing not to see those non-album tracks that are not on CD anywhere...

Which brings us to the 1st part of the good news - THE SOUND. Like many who've loved this wonderful record, I've had the cramped vinyl LP and dull sounding original CD for over 20 years now - hoping for a good reissue of it at some point. Well this Thomas Dolby remaster is just BEAUTIFUL - clean, muscular and full of presence. Hearing the sublime "Bonny" in this sound quality is a treat no music lover should be without - and that synth solo - wow! And when you think of how awful a lot of Eighties music sounds now - so dated and over-produced - musically the whole album still holds it own. So many great tracks "Moving The River", "Desire As" and the Johnny Johnny song "Goodbye Lucille No.1" A really sweet remaster by Dolby. But the real fireworks and good news number two start on Disc 2...

Few would have expected that Acoustic Reinterpretations would be this good - or even rival and better the originals - but here they do. It's hard to understate just how stunning these beautifully recorded remakes are - I've been playing them to buggery for over 18 months now and still don't tire of them. I made up a shop-play disc of 7 tracks from Ryan Adams' "Easy Tiger" album from 2007 with 7 from this - and every time I play it, it never fails to bring customers to the counter with looks of `discovery' on theirs faces wanting to know "Who is this!!!"

To sum up - despite the ok-only packaging and lack of those b-sides - this is a 5-star reissue of a 6-star album - a must buy. I will go weak at the knees if the same treatment is planned for the equally magnificent "Jordon: The Comeback"...