"Can You Dig It? The Music And Politics Of Black Action Films 1968-1975" by VARIOUS ARTISTS - A Review Of The 2009 Soul Jazz 2CD Set With A 100-Page Booklet In A Card Wrap by Mark Barry...

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"…A Hell Of A Tester…"

Fans of Funky and Soulful Soundtracks have always had to pay out huge sums of money for certain LPs – many of which are now over 40 years old. Well at last – Soul Jazz Records of London have done them all a fur coat by collating together the very best of the Blaxploitation period. And what a garish piece of audio jewelery it is.

2CDs are housed in a card wrap with a truly sensational 100-page booklet slotted in beside the double jewel case (there are also two VINYL DOUBLE ALBUMS (Disc 1 and 2) which are now sought after in themselves). 

Released October 2009 in the UK – "Can You Dig It? The Music And Politics Of Black Action Films 1968-1975" on Soul Jazz Records SJR CD214 (Barcode 5026328202143) is a 2CD Compilation that breaks down as follows…

Disc 1 (56:40 minutes):

1. Coffy Is The Color by ROY AYERS (Coffy, 1973)

2. Blacula by GENE PAGE (Blacula, 1972)

3. Shaft In Africa by JOHNNY PATE (Shaft In Africa, 1973)

4. Brother’s Gonna Work It Out by WILLIE HUTCH (The Mack, 1973)

5. Charley by DON COSTA (The Soul Of Nigger Charley, 1973)

6. "T" Plays It Cool by MARVIN GAYE (Trouble Man, 1973)

7. Across 110^th Street by BOBBY WOMACK (Across 110^th Street, 1972)

8. Willie Chase by J.J. JOHNSON (Willie Dynamite, 1973)

9. Down And Out In New York City by JAMES BROWN (Black Caesar, 1973)

10. They Call Me MISTER Tibbs by QUINCY JONES (They Call Me Mister Tibbs, 1970)

11. Keep On Movin' On by MARTHA REEVES (Willie Dynamite, 1973)

12. Theme From Black Belt Jones by DENNIS COFFEY (Black Belt Jones, 1974)

13. Freddie's Dead by CURTIS MAYFIELD (Superfly, 1972)

14. Wilford's Gone by THE BLACKBYRDS (Cornbread, Earl And Me, 1975)

15. Theme Of Foxy Brown by WILLIE HUTCH (Foxy Brown, 1974)

16. Run Fay Run by ISAAC HAYES (Three Tough Guys, 1974)

Disc 2 (65:47 minutes):

1. Shaft by ISAAC HAYES (Shaft, 1971)

2. Pusherman by CURTIS MAYFIELD, Superfly 1972)

3. Theme From Cleopatra Jones by JOE SIMON (Cleopatra Jones, 1973)

4. You Can't Even Walk In The Park by JOHNNY PATE (Shaft In Africa, 1973)

5. Sweetback's Theme by BRER SOUL and EARTH, WIND & FIRE (Sweet Sweetback's Baadassss Song, 1973)

6. Make It Good To Yourself by JAMES BROWN (Black Caesar, 1973)

7. Pursuit Of The Pimpmobile by ISAAC HAYES (Truck Turner, 1973)

8. Travelling To Get To Doc by GRANT GREEN (The Final Comedown, 1972)

9. Time Is Tight by BOOKER T & THE M.G.'s (Uptight, 1968)

10. Aragon by ROY AYERS (Coffy, 1973)

11. Easin' In by EDWIN STARR (Hell Up In Harlem, 1973)

12. Strung Out by GORDON STAPLES (Mean Johnny Barrows, 1975)

13. Zombie March by NAT DOVE and the DEVILS (Petey Wheatstraw, 1974)

14. Make A Resolution by THE IMPRESSIONS (Three The Hard Way, 1974)

15. The Bus by SOLOMON BURKE and GENE PAGE (Cool Breeze, 1972)

16. Las Vegas Strut by JACK ASHFORD (Blackjack, 1978)

17. Lay In On Your Head by DON JULIAN (Savage, 1973)

18. Ed And Digger by GALT MacDERMOT (Cotton Comes To Harlem, 1970)

DUNCAN COWELL and PETE REILLY did the remasters at London’s Sound Mastering and despite the huge number of different licensed sources – the audio quality is uniformly superb – full of detail, bite and great atmosphere. But the booklet is in the stunning Bear Family league at 100-pages. Expertly compiled and wonderfully written by STUART BAKER – as the fat inlay is oversized and actually bound into a mini paperback – the read is great and photos from each of the films a visual blast. 

Each of the movies gets a couple of pages as do the major players (actors and musicians) – Pam Grier, Sidney Poitier, Jim Brown, Oscar Micheaux, Isaac Hayes, Fred Williamson and Jim Kelly – as well as themes like "Pimps And Pushers", "Motown At The Movies", "Stax Action" and "American International Pictures". And not to be outdone by all that black male macho posturing – the dark skinned ladies more than have their day (Pam Grier gets the cover and rightly so). But on pages 24 and 25 there is a two-page colour photo spread of the truly gorgeous and sexy TAMARA DOBSON in "Cleopatra Jones" – what a woman and surely one of the great beauties of the time (sadly lost to us in 2006).

Musically all the big boys are here – Isaac Hayes with his album version of that most iconic of all "Shaft" – Curtis with Superfly, James Brown with Black Caesar and of course Marvin Gaye with his utterly brilliant "Trouble Man" gem from late 1972 on Motown. It's nice to see that the compilers simply didn't load it down more of that obvious quad – but instead went after Dennis Coffey, Willie Hutch, Joe Simon, Grant Green, Galt MacDermot (of the "Hair" musical fame) and Johnny Pate.

I love the way the Instrumentals sit so well alongside the bad brother on the streets vocal themes – it makes for a funky and enjoyable boogie (and both discs run to realistic listening times/neither is crammed). Admittedly there are only so many Shaft high-hat rhythms and Blacula wah-wah pedal guitars a body can stand – but overall – the consistency of the movie music on here is deeply impressive. And no matter how many times I hear Bobby Womack's wonderfully evocative "Across 100^th Street" theme song (lyrics above) - I get a jolt to the memory banks allied with a grin on my mush and always think of Pam Grier on that airport walkway at the beginning of Tarantino's "Jackie Brown" film of 1997 where he pays tribute to his lifelong obsession with Blaxploitation movies.

"Can You Dig It? The Music And Politics Of Black Action Films 1968-1975" is a truly brilliant compilation and that it sounds so good and is presented in such an awesome way – makes it all the more impressive. 

Besides – you just know your life is half-full and your home a lesser place without a compilation that has the track "Pursuit Of The Pimpmobile" on it. Yeah Baby…

“Deutsche Elektronische Musik – Experimental German Rock And Electronic Musik 1972-83” by VARIOUS ARTISTS. A Review of the Soul Jazz 2CD Set from 2010

This review is part of my Series "SOUNDS GOOD: Exceptional CD Remasters 1970s Rock And Pop" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

                       http://www.amazon.co.uk/-/e/B00LQKMC6I

Working in a second-hand record shop in the West End of London, one of the questions we’re most frequently asked is to be pointed in the right direction of a decent KRAUTROCK vinyl or CD compilation - with perhaps a little bit of Electronic, Experimental, Avant Garde and Trippy Soundtrack stuff thrown in for good measure. Well look no further music lovers, because this little sensation from Soul Jazz Records of London is the answer.

Details first - originally credited as “Elektronische Music” on 2CD card promos that circulated in March 2010, it was scheduled for Monday, 5 April 2010 release, but then delayed to 12 April and the word “Deutsche” added on at the beginning. For this review I’ve included track timings, the original vinyl LP each song is taken from and the year of release.

Soul Jazz SJR CD213 breaks down as follows:

Disc 1 (77:31 minutes):
1. A Spectacle by CAN [5:39 minutes] (from “Can”, 1978)
2. Devotion by BETWEEN [3:46 minutes] (from “And The Waters Opened”, 1973)
3. Dino by HARMONIA [features Michael Rother of Neu! and Hans-Joachim Roedelius of Cluster] [3:29 minutes] (from “Musik Von Harmonia”, 1974)
4. This Morning by GILA [5:45 minutes] (from “Bury My Heart At Wounded Knee”, 1973)
5. Rambo Zambo by KOLLECTIV [11:39 minutes] (from “Kollectiv”, 1973)
6. La Chasse Aux Microbes by MICHAEL BUNDT [8:30 minutes] (from “Just Landed Cosmic Kid”, 1977)
7. Filmmuzik by E.M.A.K. [Elektronische Musik Aus Koeln] [3:15 minutes] (from “E.M.A.K.”, 1982)
8. Morgengruss by POPOL VUH [2:57 minutes] (from “Einsjager Und Siebenjager”, 1974)
9. Auf Dem Schwarzen Canal by CONRAD SCHNITZLER [3:12 minutes] (on a German-only RCA Records 12” single of the same name, 1980)
10. Rheinita by LA DUSSELDORF [7:37 minutes – Full Version] (from “Viva”, 1978)
11. Veterano by HARMONIA [3:55 minutes] (as per 3)
12. It’s A Rainy Day, Sunshine Girl by FAUST [7:26 minutes – Full Version] (from “So Far”, 1972)
13. Hellogallo by NEU! [10:03 minutes] (from their debut “Neu!”, 1972)

Disc 2 (59:56 minutes):
1. Heisse Lippen by CLUSTER [2:21 minutes] (from “Zuckerzeit”, 1974)
2. High Life by IBLISS [13:01 minutes – Full LP Version] (from “Supernova”, 1972)
3. Hasenheide by DIETER MOEBIUS [of Cluster] [2:36 minutes] (from “Tonspuren”, 1983)
4. Fly United by AMON DUUL II [3:29 minutes] (from “Vive La Trance”, 1973)
5. Aguirre 1 by POPOL VUH [6:13 minutes] (from “Aguirre”, 1975)
6. Daydream by ASH RA TEMPLE starring ROSI [5:22 minutes] (from “Ash Ra Temple starring Rosi”, 1973)
7. No Man’s Land by TANGERINE DREAM [9:05 minutes] (from “Hyperborea”, 1983)
8. Wie Der Wind Am Ende Einer Strasse by AMON DUUL II [5:43 minutes] (from “Wolf City”, 1972)
9. Geradewohl by [Hans-Joachim] ROEDELIUS [of Cluster] [3:31 minutes] (from “Selbstportrait Vol.III – “Reise Durch Arcadien””)
10. I Want More by CAN [3:30 minutes] (from a 7” single on Virgin, 1976)
11. Soham by [Georg] DEUTER [4:55 minutes – edit version] (from “Aum”, 1972)

The outer card wrap houses an inner 2CD plastic holder which looks like a mini-DVD case and sitting alongside that is an over-sized 38-page booklet jam-packed with knowledgeable details on the artists and the scene by STUART BAKER and ADRIAN SELF. All the great labels of Krautrock are represented here – Germany’s Brain, Metronome, Sky, Ohr, Kuckuck, EMI Electrola etc – and of course Britain’s Virgin and United Artists. The set was mastered by DUNCAN POWELL and PETE REILLY at Sound Mastering in London and despite the varying dates and tape sources; the audio quality is uniformly excellent.

The track choices are diverse and clever too – much of it very rare and hugely expensive on original vinyl – and while the usual suspects like CAN, POPOP VUL, TANGERINE DREAM and AMON DUUL II are to be expected, it’s nice to see the piano and synth groove of Conrad Schnitzer’s ultra-rare 12” single featured and the slightly cheesy but utterly hypnotic Kollectiv track in its entirety (SJ have gone for the more desirable full album versions in most cases). And Popol Vuh’s short instrumental “Morgengruss” is shockingly beautiful.

Downsides – there’s none of those gorgeous and weird LP sleeves pictured which is a shame – and the outer artwork of the compilation itself is genuinely garish (does itself no favours) and doesn’t really give you any indication of the rare goodies contained within. Also - as you can see from the playing time above, the 2nd disc is a good 20-minutes short and both CDs are lessened by the huge absence of Kraut-monsters Kraftwerk - but I suspect that this has had more to do with licensing difficulties than Soul Jazz not wanting to cram both discs to the rafters.

For vinyl junkies the other good news is that CD 1 and 2 have been issued as 2LP sets on Soul Jazz SJR LP213 Vol.1 and SJR LP213 Vol.2 respectively with no tracks omitted. Each is a tasty gatefold sleeve and the full CD booklet is spread across the inner gatefold of one and continued onto the other. Also, because each is a double album, the tracks get the space they need to breath (I’ve acquired both because they’re future collectables for sure).

So there you have it - very rare and hugely desirable music made available to a panting public via a great British reissue label. I can’t stop playing it – and our discerning punters are absolutely loving it (I’ve not seen a reaction like this by the public in years). Genius stuff boys and well done.

For me, “Deutsche Elektronische Musik – Experimental German Rock And Electronic Musik 1972-83” is already one of THE reissues of 2010.