Amazon Music Bestsellers and Deals

Showing posts with label Peter Doggett (Liner Notes). Show all posts
Showing posts with label Peter Doggett (Liner Notes). Show all posts

Wednesday 23 October 2019

"Dancing With Strangers" by CHRIS REA (18 October 2019 Magnet Records 2CD "Expanded And Remastered' Reissue) - A Review by Mark Barry...




"...Yes I Do..."

Friday, 18 October 2019 sees five of Chris Rea's long-deleted albums originally on Magnet, WEA and East West Records get a proper Reissue/Remaster makeover - each bunged up into a 2CD Set. They are "Shamrock Diaries" (originally May 1985), "On The Beach" (April 1986), "Dancing With Strangers" (September 1987), "The Road To Hell" (November 1989) and "Auberge" (March 1991). With only bits and pieces of his superbly musical back catalogue available in Remaster form – these full-album overhauls have been a long-time coming for suffering fans and this time they're with the Artist's involvement and approval (see list below for their CD details).

Disc 1 in each case contains the original album while Disc 2 offers a wide spread of non-album B-sides, remixes and remakes, outtakes and period rarities etc (a generous 17 in this case). Each offering has a small smattering of Previously Unreleased material too - but more importantly the whole shebang has been transferred and remastered by NICK ROBBINS of Ace Records fame and he's done a fabulous job. Robbins is an Audio Engineer with literally hundreds of reissues to his name across decades and a vast network of music – so its no surprise that the audio here in great – a real improvement on what went before. The booklets contain all the lyrics (not the extras) and fresh interviews conducted with Rea by noted author and former Record Collector bigwig Peter Doggett. There's a lot to wade through, so finally and if you'll forgive the pun, let's dance...

UK released Friday, 18 October 2019 - "Dancing With Strangers" by CHRIS REA on Magnet Records/Warner Music Group 0190295492229 (Barcode 0190295492229) is an 'Expanded Edition' 2CD Reissue and Remaster that plays out as follows:

CD1 "Original Album" (49:14 minutes):
1. Joys Of Christmas [Side 1]
2. I Can't Dance To That
3. Windy Town
4. Gonna Buy A Hat
5. Curse Of The Traveller
6. Let's Dance [Side 2]
7. Que Sera
8. Josie's Tune
9. Loving You Again
10. That Girl Of Mine
11. September Blue
Tracks 1 to 11 are the studio-album "Dancing With Strangers" (his eight) - released September 1987 in the UK on Magnet Records MAGL 5071 and Motown 6245L in the USA. The original 1987 British CD came with Three Bonus Tracks - "I Don't Care Anymore", "Donahue's Broken Wheel" and "Danielle's Breakfast" while the US issue carried the final two in this list (both instrumentals) - these have been moved to Disc 2. The album peaked at No. 2 in the UK.

CD2 "Additional Recordings" (74:43 minutes):
1. Yes I Do (Non-Album B-side, from the November 1987 UK CD Single to "Joys Of Christmas" on Magnet CDMAG 314)
2. Que Sera (Single Version) (Re-Recorded for the "The Best Of Chris Rea - New Light Through Old Windows" album released October 1988 on WEA)
3. Se Sequi (Non-Album B-side, from the January 1988 UK 7", 12" and CD single to "Que Sera" on Magnet 318)
4. I'm Taking The Day Out (Non-Album B-side, from the July 1988 UK 7" single "On The Beach Summer '88" on Magnet 195)
5. I Can Hear Your Heartbeat (Extended Mix) (Non-Album version, A-side of an October 1988 UK single on WEA YZ 350)
6. Loving You Again (Live Version) (Non-Album version, B-side of an October 1988 UK single on WEA YZ 350)
7. Danielle's Breakfast (Instrumental, August 1987 UK 7" and 12" Single B-Side to "Loving You Again" on Magnet MAG 300 and a "Dancing With Strangers" CD Album Bonus Track)
8. On The Beach (Summer '88) (Single Version) (Re-Recorded for the "The Best Of Chris Rea - New Light Through Old Windows" album released October 1988)
9. Randolph's Rotor Arm - PREVIOUSLY UNRELEASED
10. Smile (from "Driving Home For Christmas - The Christmas EP", non-album track, UK released December 1988 on Magnet 325 - 4-Track 7" Single, 12" Single and CD Single)
11. I Don't Care Anymore (1987 "Dancing With Strangers" CD Album Bonus Track)
12. Que Sera (Down Under Mix) (Non-Album Version, January 1988 UK 12" single for "Que Sera" on Magnet MAGT 318)
13. Donahue's Broken Wheel (Instrumental, August 1987 UK 7" and 12" Single B-Side to "Loving You Again" on Magnet MAG 300 and a "Dancing With Strangers" CD Album Bonus Track)
14. Let's Dance (The Remix) (from the May 1987 UK 12" Single Magnet MAGT 299R)
15. Josephine (French Re-Record) (5:37 minute version, B-side from the May 1987 UK 12" Single and CD Single for "Let's Dance" on Magnet 299)
16. Footsteps In The Snow (from "Driving Home For Christmas - The Christmas EP", non-album track, UK released December 1988 on Magnet 325 - 4-Track 7" Single, 12" Single and CD Single)
17. Driving Home For Christmas (Second Version) (Re-Recorded for the "The Best Of Chris Rea - New Light Through Old Windows" album released October 1988)

The 24-page colour booklet is a surprisingly pretty and chunky affair – all that watercolour art reproduced including the singles sleeves peppering the text and interviews followed by the lyrics to the album’s eleven tracks. Berry Gordy apparently adored "Let's Dance" so the album received a US release on Motown – something the Blues and Soul-loving Rea is very proud of. He explains too how the music of Ry Cooder and Lowell George (Americana in general) had also infused the recordings along with the Celtic Uilleann pipes of Davey Spillane – a man whose beautiful playing has graced Kate Bush, Emmylou Harris, Elvis Costello, Bryan Adams, Van Morrison and Mike Oldfield albums to name but a few (good company methinks). Remastered by NICK WATSON at Fluid Mastering – the Audio is superb - Eoghan O'Neill's Bass clear and warm  - Rea's formidable guitar playing (menace-sliding one minute then hop-skipping the next) now foremost through all of the songs.

The opening number "Joys Of Christmas" Northern-style sets the scene – women dragging their drunken men from pubs – angry, fighting - Jim looking down the barrel of an unemployment gun and trying not to pull the trigger. It gets all ZZ Top for the excellent boogie of "I Can't Dance To That" - his guitar playing fantastic as Kevin Leach backs up proceedings on the organ and piano. A gorgeous remaster elevates his heartfelt empathy in "Windy Town" - sessionmen good types like Fairport's Jerry Donahue playing guitar while Davey Spillane (ex Moving Hearts) gives us that haunting Uilleann Pipes and Tin Whistles as the jaunty beat slows - no car for kissing - crosswinds on the cold wet Northern stones. I'd forgotten how good "Gonna Buy A Hat" is. Here it comes alive again - the organ and accordion backing - I suspect Mr. Gorbachev would approve (keep those raindrops and that desperation off). Side 1 ends with the gorgeous wails of Davey Spillane on a low whistle as Rea strums the opening to "Curse Of The Traveller".

Side 2's total dancefloor killer "Let's Dance" has real muscle now and is followed by the floating keyboard notes and Harmonica of "Que Sera" - an opening that quickly segues into a so-pretty Balearic rhythm - rolling down runway ten strumming a guitar. The ethereal instrumental "Josie's Tune" with just Spillane and Rea - Spillane coaxing pain out of the Irish pipes - now feels more epic. The pretty "Loving You Again" with its radio-friendly chug feels like a revisiting a smile. The LP ends with the happy romp of "That Girl Of Mine" and the Mediterranean soft "September Blue" - tunes that are good but possibly not as special as what went before.

THE EXTRAS:
Fans will notice that "One Sweet Tender Touch" (a Previously Unreleased track in January 1988) from the CD single of "Que Sera" is absent and unfortunately hasn't been moved to any of the other doubles (bit of a boo-boo that). And I've always felt the three supposed bonus cuts on the original 1987 CD to have been a bit crappy, but having said that, how good is it to hear the fabulous Chris Rea "Let's Dance" Pop of "Yes I Do" in pumped up sound quality. DJs and fans digging Balearic Beats also finally get "Josephine (French Re-Record)" previously only available on a rare 12" single in proper Remastered quality - an extended 5:36 minute version that I feel has always trounced the released version. The first variant of "Driving Home For Christmas" from December 1986 (the B-side of "Hello Friend (Re-Record)" on Magnet 298) turns up as a Bonus Track inside Disc 2 of the "On The Beach" double. What we get here (imo) is the better and more punchy re-record for 1988's "New Light Through Old Windows” album - but I know some people also love that original and will have nothing to do with the redone version - so its nice to know both are now available in proper 2019 Remaster form across this reissue campaign. The song "Let's Dance" had four variants in 1987 – the album cut at 4:08 minutes, the 7" Single Edit at 3:52 minutes and two from two different 12"s – 12" Special Mix at 6:03 minutes and The Remix at 7:02 minutes. Disc 2 offers us The Remix only of "Let's Dance" at 7:02 minutes – so the Special Mix and 1987 Single Edit versions are not here. There was also the re-record of "Let's Dance" in 1988 for the "New Light Through Old Windows" Best Of LP and a March 1990 Live at Wembley Arena London version that turned up at the seven-minute B-side to the "Texas" single in April 1990 - both of which are now on the Disc 2 Additional Recordings of "The Road To Hell" double. Just to throw a further variant spanner in the works – there now appears to be a 3:37 minute version of "Let's Dance" as a Bonus Track on Disc 2 of the "On The Beach" double described as a B-side, but I don’t know to what.

To sum up – absolutely everything is not here for sure, but I think some judicious pruning is not a bad thing and that 74:43 playing time has to be called bloody good value for money in any working man's books. And the Previously Unreleased track is very good too. A fantastic reissue in my book and I'll be adding the others from the Bluesy Northern lad to my shopping basket as soon as pre-Brexit obfuscations and bamboozling allow.

I've always loved Chris Rea albums, looked forward to them even, as I would have done with a new John Martyn offering say. Musical, uplifting and warm - and that's gotta be the highest praise indeed...

CHRIS REA Expanded And Remastered Series
2CD Titles released Friday, 18 October 2019

1. Shamrock Diaries (May 1985)
Magnet Records/Warner Music Group 0190295492267 (Barcode 0190295492267)
2. On The Beach (April 1986)
Magnet Records/Warner Music Group 0190295492243 (Barcode 0190295492243)
3. Dancing With Strangers (September 1987)
Magnet Records/Warner Music Group 0190295492229 (Barcode 0190295492229)
4. The Road To Hell (November 1989)
WEA/Warner Music Group 0190295492205 (Barcode 0190295492205)
5. Auberge (March 1991)
East West/Warner Music Group 0190295492182 (Barcode 0190295492182)

Sunday 23 October 2016

"Geordie Boy: The Anthology" by ALAN PRICE (2002 Sanctuary/Castle Music 2CD Reissue - SIMON MURPHY Remasters) - A Review by Mark Barry...






"...Just For You..." 


This 46-song comprehensive overhaul of ex Animals front man ALAN PRICE brings together a huge swath of his largely forgotten catalogue stretching from early 45s on Decca in August 1965 (as Alan Price Set) - through his singer-songwriter Seventies output on CBS, Warner Brothers, Polydor and Jet Records to finally rest at the CD "A Gigster's Life For Me" on Indigo Records in 1995.

And since its original release in late 2002 (reissued in 2008) – the jam-packed "Geordie Boy: The Anthology" has been deleted and become very pricey ever since. Ex Record Collector writer and musicologist Peter Doggett (who wrote the liner notes) thinks that Price’s output is just as important as his more famous Newcastle compatriot Eric Burdon and his solo stuff - I'm not sure if the aural evidence here confirms that but there's plenty to uphold his enthusiasm. Here are the details for Fatfield's finest (Fatfield, Co Durham that is)...

UK released October 2002 (reissued February 2008) - "Geordie Boy: The Anthology" by ALAN PRICE on Sanctuary/Castle Music CMEDD 384 (Barcode 5050159138425) is a 46-track 2CD Remastered compilation that plays out as follows:

Disc 1 (78:45 minutes):
1. Any Day Now (My Wild, Beautiful Bird) - August 1965 UK 7" single on Decca F 12217, A (as Alan Price Set)
2. I Put A Spell On You - March 1966 UK 7" single on Decca F 12367, A (as Alan Price Set)
3. Hi-Lili, Hi-Lo - July 1966 DUTCH 7" single in a Picture Sleeve on Decca F 12442, A (as Alan Price Set)
4. Take Me Home - July 1966 DUTCH 7" single in a Picture Sleeve on Decca F 12442, B (as Alan Price Set, written by AP)
5. Getting Mighty Crowded - on his 1966 UK Debut LP "The Price To Pay" on Decca LK 4839 (Mono only)
6. Simon Smith And His Amazing Dancing Bear - February 1967 UK 7" single on Decca F 12570, A
7. Tickle Me - February 1967 UK 7" single on Decca F 12570, AA (double A-side)
8. The House That Jack Built - July 1967 UK 7" single on Decca F 12641, A
9. So Long Dad - on his 1966 UK Debut LP "The Price To Pay" on Decca LK 4839 (Mono only)
10. To Ramona - on his 1966 UK Debut LP "The Price To Pay" on Decca LK 4839 (Mono only)
11. Shame - November 1967 UK 7" single on Decca F 12691, A
12. Don't Stop The Carnival - January 1968 UK 7" single on Decca 12731, A
13. Love Story - July 1968 UK 7" single on Decca 12808, A
14. The Trimdon Grange Explosion - June 1969 UK 7" single on Deram DM 263, A
15. Sunshine And Rain (The Name Of the Game) - May 1970 UK 7" single on Decca F 13017, A
16. Rosetta - March 1971 UK 7" single on CBS Records S 7108, A - and on the 1971 UK LP "Fame & Price Together" on CBS Records S 64392 [with Georgie Fame]
17. Yellow Man - on the 1971 UK LP "Fame & Price Together" on CBS Records S 64392 [with Georgie Fame]
18. That's How Strong My Love Is - on the 1971 UK LP "Fame & Price Together" on CBS Records S 64392 [with Georgie Fame]
19. O Lucky Man! - September 1973 UK 7" single on Warner Brothers K 16266, A - and on the 1973 UK LP "O! Lucky Man! on Warner Brothers K 46227
20. Poor People - November 1973 UK 7" single on Warner Brothers K 16293, A - and on the 1973 UK LP "O! Lucky Man! on Warner Brothers K 46227
21. Jarrow Song - March 1974 UK 7" single on Warner Brothers K 16372, A - and on the June 1974 UK LP "Between Today And Yesterday" on Warner Brothers K 56032
22. Between Today And Yesterday - on the June 1974 UK LP "Between Today And Yesterday" on Warner Brothers K 56032
23. In Times Like These - August 1974 UK 7" single on Warner Brothers K 16452, A - and on the 1974 UK LP "Between Today And Yesterday" on Warner Brothers K 56032
24. Papers - June 1975 UK 7" single on Polydor 2058 613, A - and on the April 1975 UK LP "Metropolitan Man" on Polydor 2442 133
25. The Drinker's Curse - on the April 1975 UK LP "Metropolitan Man" on Polydor 2442 133

Disc 2 (78:25 minutes):
1. Changes - on the December 1975 UK LP "Performing Price" on Polydor 2683 062
2. Goodnight Irene - January 1976 UK 7" single on Polydor 2058 682, A
3. Kiss The Night - October 1976 UK 7" single on Polydor 2058 806, A
4. Glass Mountain - on the October 1976 UK LP "Shouts Across The Street" on Polydor 2383 410
5. I Know When I've Had Enough - on the October 1976 UK LP "Shouts Across The Street" on Polydor 2383 410
6. Shouts Across The Street - on the October 1976 UK LP "Shouts Across The Street" on Polydor 2383 410
7. I've Been Hurt - November 1977 UK 7" single On Jet Records UP 36315, A - and on the January 1977 UK LP "Alan Price" on Jet/United Artists UAS 30133
8. Just For You - April 1978 UK 7" single on Jet Records UP 36358, A - and on the January 1977 UK LP "Alan Price" on Jet/United Artists UAS 30133
9. I'm A Gambler - on the January 1977 UK LP "Alan Price" on Jet/United Artists UAS 30133
10. England, My England - May 1979 UK 7" single on Jet Records JET 143, A - and on the 1978 UK LP "England, My England" on Jet Records DLP 207
11. Baby Of Mine - February 1979 UK 7" single on Jet Records JET 135, A - and on the 1978 UK LP "England, My England" on Jet Records DLP 207
12. Those Tender Lips - on the 1978 UK LP "England, My England" on Jet Records DLP 207
13. The House Of The Rising Sun - April 1980 UK 7" single on Jet Records JET 177, A - and on the 1980 UK LP "Rising Sun" on Jet Records JET LP 227
14. I'm Coming Back - on the 1980 UK LP "Rising Sun" on Jet Records JET LP 227
15. Perfect Lady - on the 1980 UK LP "Rising Sun" on Jet Records JET LP 227
16. Over And Over - on the 1980 UK LP "A Rock 'n' Roll Night At The Royal Court Theatre" on Key Records KEY 1
17. Don't Slam That Door - on the 1986 UK LP "Travellin' Man" on Trojan Records APB 101
18. 50 Pence - on the 1986 UK LP "Travellin' Man" on Trojan Records APB 101
19. People Are Talking - on the 1986 UK LP "Travellin' Man" on Trojan Records APB 101
20. Boom Boom - on the 1995 UK CD album "A Gigster's Life For Me" on Indigo IGOCD 2048
21. Some Change - on the 1995 UK CD album "A Gigster's Life For Me" on Indigo IGOCD 2048

At the time of release I remember thinking how good the Sanctuary compiled CD sets were - and if you want proof of that - the 8-square-per-side foldout insert is a minor work of presentation art. Quite apart from Peter Doggett's superb liner-notes assessment of Price's up-and-down career (someone Doggett feels has been unfairly overlooked) - each and every square on both sides of the foldout page is festooned with pictured memorabilia from the varying periods of his long career - 7" single labels from Decca and Deram - 60ts and 70ts press clippings, reviews and trade adverts and of course all those album sleeves. There are even foreign picture sleeves of "Rosetta" (with his pal Georgie Fame), snaps with Brenda Lee, Lulu and Brian Poole as well as a repro of the rare "A Price On His Head" Decca LP from 1967 that you never see. Compiled by ROGER DOPSON for Castle Music and 'Sound Restored' by SIMON MURPHY at SRT Studios in St. Ives - the whole set reeks of class and has wickedly good audio too (given the myriad sources). Let's get the music...

The opening 7" single is awful pap and to add insult to injury - the audio sounds like some poor Reggae 45 recorded in a bucket. Things improve immeasurably with the very-Animals cover of the Screaming Jay Hawkins classic "I Put A Spell On You" - Price digging into great material as that lone organ whines in the background. I can't be certain but I'd swear the chipper Dutch single "Hi Lili, Hi Lo" and its non-album Alan Price penned flipside "Take Me Home" are both in Stereo (the flip could easily be a Mod dancer). Next up Price has a go at Betty Evertt's "Getting Mighty Crowded" - a wickedly good talcum-powder dancer on Vee Jay Records 628 from late 1964 penned by a young Van McCoy (one of the jewels on here no doubt). Randy Newman's witty "Simon Smith And The Amazing Dancing Bear" has always been grit for the cool covers mill - and Price does a great job at capturing its vaudeville charms (a No. 4 chart hit in 1964). Even better is "Tickle Me" - another Newman track on this 1967 Double-A (is that Page on guitar?) and he returns to the American songsmith for "So Long Dad" on the debut LP. The lyrics and melody to his "The House That Jack Built" show why Price was so drawn to Newman songs - they share the same wit and cleverness with a melody and set of words (another No. 4 chart hit).

With "To Ramona" Price's inner singer-songwriter is truly awakened - as I'm sure Bob Dylan songs did for so many. With just him and the piano - it's a sweet and well-chosen performance. His own bopper "Shame" is a stab at chart action while he's probably copying Nilsson a little too much in his piano and vocal phrasing for Randy Newman's acidic "Love Story" - or is it the other way around. "The Trimdon Grange Explosion" represented a new start with the weird and wonderful Deram label - the song laden with banks of brass, strings and organ all competing for your ears (the Remaster sounds great). We reach a genuine hit with "Rosetta" in the early Seventies - a successful pairing on single and LP with his pal Georgie Fame. The pair go after Randy Newman again with Newman's typically clever take on just how ripped-off Indian culture was and still is in "Yellow Man". A change to Warner Brothers brought on a renaissance - especially in his LPs. "O Lucky Man!" sounds great while "Poor People" again reflects his likely-lad upbringing - thoughts on the plights of the hard-pressed 'working man' who has to smile while he's 'making it'. An unlikely hit - "Jarrow Song" put his tale of Geordie McIntyre into the charts - the 4:36 minute edit peaking at an impressive No. 6 in May 1974 (in fact I remember Pans People doing a dance routine to the historical song on Top Of The Pops). A sophistication crept into his work on the beautifully orchestrated "Between Today And Yesterday" where Price sounded like really good Gilbert O'Sullivan on Mam.

Disc 2 opens with the lovely self-penned "Change" recorded live for the "Performing Price" LP that bookended a good year for AP – 1975. He sounds almost gaunt on the Leadbelly classic "Goodnight Irene" and "Glass Mountain" has both wicked keyboard moments and production values. His own "Shouts Across The Street" is so Randy Newman as to be embarrassing but its also a cool little 'trick-or-treat' song with smart lyrics. The utterly delightful "Just For You" saw him back in the British charts for a brief brush with a No. 46 placing (I recall Jet Records put it on a heart-shaped picture disc - yikes). "I'm A Gambler" is a guitar-bopper where our hero keeps on taking too many chances - a gentleman of fortune laying it on the line a little too much. "England, My England" and "Baby Of Mine" show his fast vs. ballad combo to great effect (and lovely production too). Of the later material I'm partial to the old-time barroom slobber of "Don't Slam The Door" while his cover of Hooker's "Boom Boom' returns to his first love - American Rhythm 'n' Blues.

"Geordie Boy..." is not all genius by any stretch of the imagination but the compilers are right to be proud of their 'anthology' which seems to have changed artwork during its run too both front and rear (see my photos of the original below). Huge playing times on both CDs - great annotation and audio - fans needs to own this... 

Thursday 30 July 2015

"The Circle Game" by TOM RUSH [featuring Joni Mitchell, Jackson Browne and James Taylor] (2008 Rhino Expanded CD – Bill Inglot and Dan Hersch Remasters) - A Review by Mark Barry...



"…Someone To Love Today…"

Heavily steeped in the American Folk, Blues & Roots movements of the early to mid Sixties - TOM RUSH was already a 5-album veteran by the time he released "The Circle Game" in April 1968 at the age of 27. The bog-standard CD version of this lovely, but long-forgotten gem of an album has been available for almost 20 years now with a slip of paper as an insert and useless hissy sound.

Thankfully Rhino's May 2008 Reissue finally addresses that travesty by giving the album the sonic upgrade its long deserved - a Remastered 40th Anniversary Edition CD on Elektra/Rhino 8122-79978-5 (Barcode 081227997854) - complete with an upgraded booklet and 3 rare bonus tracks. The Elektra/Rhino 2008 CD remaster of “The Circle Game” by TOM RUSH breaks down as follows (52:12 minutes):

1. Tin Angel
2. Something In The Way She Moves
3. Urge For Going
4. Sunshine Sunshine
5. The Glory Of Love
6. Shadow Dream Song [Side 2]
7. The Circle Game
8. So Long
9. Rockport Sunday
10. No Regrets
11. (Coda)
Tracks 1-11 make up the album "The Circle Game" issued on Elektra EKL 4018 (Mono)/EKS 74018 (Stereo) in April 1968 in both the USA and UK. The Stereo mix is used.

BONUS TRACKS:
12. Something In The Way She Moves (UK Single Mix) - issued March 1968 in the UK on Elektra EKSN 45032. This A-side is a different mix to the album version – the album track "Rockport Sunday" was its B-side in the USA and UK.
13. Urge For Going (US Single Mix) - issued late 1967 in the USA on Elektra EKS-45607 - again different to the album version. "Sugar Babe" from the June 1966 Elektra Records LP "Take A Little Walk With Me" was its B-side.
14. The Circle Game (Take 1) – PREVIOUSLY UNRELEASED

The 8-page booklet has a new essay and interview with Rush by the respected reviewer PETER DOGGETT and is filled out with session details, trade paper reviews and pictures of US and UK singles. The album artwork is beneath the see-through tray and the CD itself reflects the colour of the original US vinyl album label - all nice touches - and typical of Rhino's attention to detail.

Some might moan that the album's original MONO mix should have been included as well as the STEREO version - I'd take that as a valid point - but two of the bonus tracks are a real find and collectors I'm sure would prefer them.

In an odd sort of way, "The Circle Game" isn't remembered so much for Rush himself, but for the astonishing singer-songwriters he introduced to the world via the record - JONI MITCHELL, JACKSON BROWNE and JAMES TAYLOR - all three unsigned at the time. With these enormous talents providing the bulk of the songs and two cracking originals of his own, this unassuming little folk album practically kick-started the entire Californian singer-songwriter movement. The album's title is one of Joni's best compositions "The Circle Game" which she eventually put out on her 3rd album "Ladies Of The Canyon" in 1970 (lyrics from it title this review). The other two covers are "Tin Angel" which turned up on her 2nd LP "Clouds" in 1969 and "Urge For Going” - as beautiful a song as she has ever written and for me one of the real beauties on this record. Her own version didn't find its way onto vinyl until 1972, when it turned up as a B-side of "You Turn Me On, I'm A Radio". Its CD debut is on the wonderful "Hits" set from 1996 - a HDCD remaster in truly beautiful sound quality. When you hear just how touching her original is - it's easy to see why Rush nabbed the song as fast as he could.

James Taylor's two tracks fare less well. First up is "Something In The Way She Moves" which Rush unwisely speeds it up with funky brass fills ruining the beauty of the song - it's dated and awful. A few months later, Taylor left for London, signed to The Beatles Apple label and released his debut LP "James Taylor" in 1968 with his softer version of the song on it. It was such a lovely tune, several artists covered it almost immediately - best of which is MATTHEWS SOUTHERN COMFORT's version on the "Second Spring" album from 1970. However, Taylor aced all of them - including his own original - by re-recording the song for his first hits set in 1976 - the white covered "Greatest Hits" - it's the definitive version of a beautiful song. The 2nd Taylor track is "Sunshine Sunshine" - a far better jaunty love song complete with strings and 60's upbeat message.

Before the album was released in April - Elektra tried “No Regrets” as a 45 in the USA in January 1968 (Elektra EKSN 45025) with “Shadow Dream Song” as its flipside – but it unfairly sank without a trace despite his beautiful tune now being revered as a Sixties love-song classic. I’ve always lovely “Rockport Sunday” – an instrumental that reflects its title – the kind of mellow acoustic vibe tune you’d play chilling out on a Sunday morning at home with a coffee in hand looking out at the sunny day to come.

Jackson Browne's voice and sound is immediately evident in the chorus of "Shadow Dream Song" - a good song - and a pointer to what was to come years later in 1974's sublime "Late For The Sky".

The other two covers are "The Glory Of Love" made famous by Benny Goodman in 1936 with The Five Keys doing a number 1 doo-wop version of it in 1951 - Rush's version is more uptempo and only ok in my books, while "So Long" is an old Charlie Rich song from his days at Sun Records. But then - for me - comes the lethal double whammy of his own two compositions - the gorgeous instrumental "Rockport Sunday" and the classic and magical "No Regrets" (made a huge hit by The Walker Brothers in 1975). To hear them both in this improved sound quality is a genuine blast. The less-than-a-minute string curio that is "(Coda)" is just that - a curio tagged onto the end of the record. Two of the bonus tracks, "Urge For Going" and "The Circle Game", are sparse bare acoustic versions and beautiful for it - a real treat for fans.

Soundwise the improvement is enormous - it's still a little hissy on a lot of the tracks, but the clarity of the instruments and the depth of his huge deep voice are so much more to the fore now - a muscular and fabulous remaster by Rhino's tape-masters BILL INGLOT and DAN HERSCH.

To sum up - flawed in places for sure, but the good stuff is breathtaking - and this remastered reissue finally brings that out. A job well done and an album you need to investigate...

PS: see also my review for the two albums that preceded "The Circle Game" - 1965's "Tom Rush" and 1966's "Take A Walk With Me" now both reissued and remastered by Beat Goes On of the UK in 2015...

This review is part of my SOUNDS GOOD Music Books Series. E-Books giving advice on "Exceptional CD Remasters" in different genres. Check out SOUNDS GOOD: 1960s and 1970s Volume 2...available to buy on Amazon and many other download sites...

Monday 29 August 2011

"Tear Down The Walls/Bleecker & MacDougal" by VINCE MARTIN & FRED NEIL/FRED NEIL (2001 Elektra/Warner Brothers 2LPs onto 1CD Reissue) - A Review by Mark Barry...




This Review And 100s More Like It 
Are Available In My E-Book
CLASSIC 1960s MUSIC ON CD - Exceptional Remasters 
Just Click The Link Below To View And Buy
All Reviews From The Discs Themselves 
(No Cut and Paste Crap)



"…If I Should Leave You…Try To Remember The Good Times…"

This clever reissue series first turned up in late 2001 as part of the ‘2 Classic Elektra Albums’ Series of CD Reissues with each title usually featuring the first 2 albums by an American Folk artist on the Elektra Label (with some Blues and Country Rock acts included too). Almost all of the LPs featured on these single disc reissues were Early to Mid Sixties vinyl rarities - most seeing the CD light-of-day for the first time anywhere. The ‘2 Classic Elektra Albums’ CD Series continued into August 2004 with releases by diverse American Country and Folk artists such as Paul Siebel, Harry Chapin and Earth Opera. This Fred Neil/Vince Martin set (from the first vanguard) is one of those 2LPs on 1CD gems...

Released October 2001 - "Tear Down The Walls/Bleecker & MacDougal" by VINCE MARTIN & FRED NEIL and FRED NEIL on Elektra/Warner Strategic Marketing 8122 73563-2 (Barcode 081227356323) offers 2LPs on 1CD and plays out as follows (74:35 minutes):

1. I Know You Rider
2. Red Flowers
3. Tear Down The Walls
4. Weary Blues
5. Toy Balloon
6. Baby
7. Morning Dew
8. I’m A Drifter
9. Linin’ Track
10. Wild Child In A World Of Trouble
11. Dade County Jail
12. I Got ‘Em
13. Lonesome Valley
Tracks 1 to 13 are the album "Tear Down The Walls" by VINCE MARTIN and FRED NEIL issued 1964 in the USA on Elektra Records EKL-248 [Mono] and EKS-7248 [Stereo] - Stereo Mix Used

14. Bleecker And MacDougal
15. Blues On The Ceiling
16. Sweet Mama
17. Little Bit Of Rain
18. Country Boy
19. Other Side Of This Life
20. Mississippi Train
21. Travellin’ Shoes
22. Water Is Wide
23. Yonder Comes The Blues
24. Candy Man
25. Handful Of Gimme
26. Gone Again
Tracks 14 to 26 are the album "Bleecker & MacDougal" by FRED NEIL issued June 1965 in the USA on Elektra Records EKL-293 [Mono] and EKS-7293 [Stereo] - Stereo Mix Used

By the time Florida-born Fred Neil had teamed up with folky Vince Martin (real name Vincent Marcellino) to record their debut album in 1964, Neil was 27 and had been on the New York folk scene for 3 years. In 1961 in Greenwich Village he'd sparred with many players who would later shape American music to an almost ludicrous degree - Karen Dalton, David Crosby, Stephen Stills and a young whippersnapper from Minnesota called Bob Dylan. Dylan later recounted his memories of Neil's deep tonal voice and cited him as a major influence - while Stills openly called him a 'hero' and has name-checked his guitar tunings. Neil had tasted minor chart success with a tune he'd co-written with Brill-building veteran Beverly Ross called "Candy Man" - it was a Top Twenty hit for Roy Orbison on Monument Records in late 1961. Which history lesson brings us to what's on offer here...

Both albums are firmly in the USA Folk vein with some Bluesy acoustic elements thrown in. "Tear Down The Walls" features an impressive six originals by Neil (2, 3, 6, 10, 11 and 12) with "Toy Balloon" by Martin and the six others being covers of contemporary artists and Old Time Traditionals. Martin and Neil played 6 and 12-string guitars alongside each other and shared the vocals on almost all the songs. Guests included Felix Pappalardi on an instrument called a 'Guitarron' (sounds like an Acoustic Bass) while John Sebastian providing Mouth Harp on certain tracks and guitar on "I Got 'Em". Pappalardi later produced and featured on Cream's "Disraeli Gears" and went on to be in Mountain - while Sebastian of course formed The Lovin' Spoonful.

"Bleecker & MacDougal" was 'all' Fred Neil except the aforementioned "Candy Man" and a cover of the lovely Gospel standard "The Water is Wide". In fact the title of the album name-checks the intersection of two New York streets - in particular the "Café Wha?" on MacDougal Street where he played for so many nights in the early Sixties.

The sound quality on both albums is gorgeous –Stereo remasters by Rhino's long-time engineer and tape handler DAN HERSCH (the Mono mixes remain unreleased on CD). The superb and hugely informative liner notes are written by PETER DOGGETT - a long time contributor to England's famous 'Record Collector' magazine and author of the acclaimed books - "There's A Riot Going On: Revolutionaries, Rock Stars and The Rise and Fall of the 60's Counter Culture", "You Never Give Me Your Money - The Battle For The Soul Of The Beatles" and "The Man Who Sold The World - David Bowie And The 1970's".

Highlights on the first album include the Traditional "Weary Blues", the lovely Vince Martin original "Toy Balloon" and two excellent cover versions - a rendition of Bonnie Dobson's slightly sinister "Morning Dew" and Travis Edmonson's country tune "I'm A Drifter".  The "Wild Child..." track in particular is powerfully emotive Folk with Sebastian expertly warbling on the harmonica alongside the acoustic guitar and deep voice of Neil. "I Got 'Em" and "Lonesome Valley" end the album on a high too.

If "Tear Down The Walls" was a four-star starter, then "Bleecker & MacDougal" was the 5-star next step. The track "Little Bit Of Rain" in particular showed Fred Neil's full potential - pretty as anything - his voice deep and monumental (lyrics above). It was later used as the title to "Bleecker & MacDougal" when it was reissued in 1970 with different artwork on the back of Neil's success with Nilsson covering his gorgeous "Everybody's Talkin'" in the movie "Midnight Cowboy". The album once again benefited from John Sebastian and Felix Pappalardi on Harmonica and Bass - they shine on the lyrically pissed-off "Travelin' Shoes" and "Handful Of Gimme". The slide guitar on the album finisher "Gone Again" always sends me - the strings cleverly being made to warble like his vocals. Brilliant stuff indeed...

Neil famously withdrew from the music business in the early Seventies to take care of Dolphins - creatures he spent the next 35 years loving and nurturing. He died in Florida after a long battle with cancer in 2001 - an enigma to the end - leaving reviewers and music lovers like me reaching for adjectives to do him and his lovely musical legacy justice.

At less than a fiver online - this is one of those bargains that beggar's belief and cries out for your credit card.

Answer the call - lovers of music and musical heroes... 

PS: collectors should note there are also beautiful Sundazed remasters of each album on HIGH-QUALITY VINYL - "Tear Down The Walls" on Sundazed LP 5142 (issued 2006) and "Bleecker & MacDougal" on Sundazed LP 5107 (issued 2001)

PPS: other titles listed in the '2 Classic Elektra Albums' CD series are:
1. David Blue (1966) / Singer Songwriter Project (1965) - DAVID BLUE
2. Tim Buckley (1966) / Goodbye And Hello (1967) - TIM BUCKLEY
3. The Paul Butterfield Blues Band (1965) / East West (1967) - THE BUTTERFIELD BLUES BAND
4. The Resurrection Of Pigboy Crabshaw (January 1968) / In My Own Dream (August 1968) - THE BUTTERFIELD BLUES BAND
5. Heads & Tails (March 1972) / Sniper And Other Love Songs (October 1972) – HARRY CHAPIN
6. A Maid Of Constant Sorrow (1961) / Golden Apples Of The Sun (1962) - JUDY COLLINS
7. Judy Collins No. 3 (1963) / The Judy Collins Concert (1964) - JUDY COLLINS
8. Wildflowers (1967) / Who Knows Where The Time Goes (1968) - JUDY COLLINS
9. Back Porch Bluegrass (1963) / Live!!!! Almost!!!! (1964) - THE DILLARDS
10. Earth Opera (1968) / The Great American Eagle Tragedy (1969) – EARTH OPERA
11. Judy Henske [Live] (1963) / High Flying Bird (1964) - JUDY HENSKE
12. The Incredible String Band (1966) / The 5000 Spirits Or The Layers Of Onions (1967) – THE INCREDIBLE STRING BAND
13. Blues, Rags & Hollers (1963) / Lots More Blues, Rags & Hollers (1964) – "SPIDER" JOHN KOERNER, DAVE "SNAKE" RAY & TONY "LITTLE SON" GLOVER
14. All The News That's Fit To Sing (1964) / I Ain't Marching Anymore (1965) - PHIL OCHS
15. Ramblin' Boy (1964) / Ain't That News (1965) - TOM PAXTON
16. Outward Bound (1966) / Morning Again (1968) - TOM PAXTON
17. Tom Rush (1965) / Talk A Little Walk With Me (1966) - TOM RUSH
18. Woodsmoke And Oranges (1970) / Jack-Knife Gypsy (1971) - PAUL SIEBEL

INDEX - Entries and Artist Posts in Alphabetical Order