"A Beard Of Stars" by TYRANNOSAURUS REX [feat Marc Bolan, Mickey Finn and Steve Took] (2004 Universal/A&M/Straight Ahead Productions Ltd. 'Expanded Edition' CD Reissue - Gary Moore Remaster) - A Review by Mark Barry...

"...Woodland Bop..." 

The final TYRANNOSAURUS REX LP "A Beard Of Stars" was released March 1970 and achieved an impressive No. 13 placing on the British LP charts. But it marked an end a new beginning. The four-album hippy-dip Folk-Rock duo of Marc Bolan and Steve Took would be soon trounced and forgotten for Bolanmania when Marc and Mickey Finn (who'd come on board September 1969 for "Beard" after Took was dropped) went into the Glam Rock monster that would become T. REX. 

The wind cheetahs, dragon's ears and mighty dawn dart warbling of "A Beard Of Stars" must have seemed eons away and so far ago when the seriously hooky Pop-Rock of "Ride A White Swan" was released only months later in October 1970 on Fly Records BUG 1 – a No. 2 smash for the newly anointed T. REX. moniker. Soon pretty painter and bongo-wielding MICKEY FINN and the equally photogenic always-cultish MARC BOLAN would be making male and female hearts pulse a tad faster up and down the land and for the next few years to come. 

This fourth and last Tyrannosaurus Rex album on England’s Regal Zonophone Records is where that superb transition to 'Electric Warrior' truly began and you’d have to say that this generous and superb-sounding Gary Moore CD Remaster has done that forgotten LP a solid. Here are the starry details...

UK released October 2004 (reissued August 2011) - "A Beard Of Stars" by TYRANNOSAURUS REX on Universal/A&M/Straight Ahead Productions Ltd. 982 251-2 (Barcode 602498225127) is an 'Expanded Edition' CD Remaster with 16 Bonus Tracks and plays out as follows (75:47 minutes): 

1. Prelude 

2. A Daye Laye 

3. Woodland Bop 

4. Fist Heart Mighty Dawn Dart 

5. Pavilions Of Sun 

6. Organ Blues 

7. By The Light of The Magical Moon

8. Wind Cheetah 

9. A Beard Of Stars [Side 2] 

10. Great Horse 

11. Dragon's Ear 

12.  Lofty Skies

13. Dove

14. Elemental Child 

Tracks 1 to 14 are their fourth and final studio album "A Beard Of Stars" - released March 1970 in the UK on Regal Zonophone SLRZ 1013. The 1st US version was released June 1970 on Blue Thumb BTS 18 as the same 14-track LP - but in December 1970 - it was re-issued again on Blue Thumb BTS 18 - but this time came with a bonus single - the British hit "Ride A White Swan" b/w "Is It Love" (Blue Thumb SP-6115). The American 'Bonus' 45 was credited to Tyrannosaurus Rex and had only two tracks - the British 45 was credited to T. REX and had a second B-side - a cover version of Eddie Cochran's "Summertime Blues". 

BONUS TRACKS: 

15. III Starred Man (Take 1)

16. Demon Queen (Take 1)

17. Once Upon The Seas Of Abyssinia (Take 1)

18. Blessed Wild Apple Girl (Take 1)

19. Find A Little Wood (Take 1)

20. A Daye Laye (Take 1)

21. Fist Heart Mighty Dawn Dart (Take 2)

22. Organ Blues (Take 2)

23. Wind Cheetah (Take 4)

24. A Beard Of Stars (Take 1) 

25. Great Horse (Take 1) 

26. Dragons Ear (Take 1 & Take 2)

27. Dove (Take 5)

28. Elemental Child Parts 1 & 2 (Take 1)

29. By The Light Of The Magical Moon (Take 3)

30. Prelude (Take 1)

MARC BOLAN - Lead Vocals, Guitar, Organ and Bass

MICKEY FINN - Backing Vocals, Moroccan Clay Drums, Tabla, Bass and Finger Cymbals

The rare lyric insert that came with Regal Zonophone SLRZ 1013 is reproduced on Page 4 of the 16-page booklet along with loads of black and white photos of the photogenic duo and memorabilia including the Melody Maker advert where Bolan went looking for 'a gentle young guy who can play percussion'. Renowned Bolan and T. Rex expert MARK PAYTRESS has provided the superb liner notes explaining how some of the outtakes are Steve Took songs Bolan chopped once Mickey Finn came on board. But the big news here is a stunning GARY MOORE Remaster - an Audio Engineer I've name-checked many times for his huge amounts of work across a large number of Universal's labels. Primarily Acoustic - the strings rattle - the bongos bong and Bolan's expressive and unique voice floats over proceedings like an elf on helium gas. 

With only Bolan's face on the front cover of the original LP (Mickey Finn's handsome visage graces the rear) - you might think "A Beard Of Stars" is a 'solo' album and with all tunes written by Bolan - at times it feels like that - his voice and presence dominating everything. Highlights include "Woodland Bop"  which he would use as one of the B-sides to "Hot Love" in February 1971 whilst the trio of "Woodland Bop", "Fist Heart Mighty Dawn Dart" and the uber-rare Tyrannosaurus Rex UK 7" single "By The Light Of The Magical Moon" would all turn up on the June 1971 compilation LP "Bolan Boogie" - a UK No.1. 

Backwards guitars fill out the short but sweet "A Day Laye" while he urges you to 'come into my garden lady love' on "Pavilions Of Sun" (did that wicked electric guitar break). "Organ Blues" tells us there's 'gold in the mountains and people living in the sea' (know what you mean mate) while you can so hear why Regal Zonophone thought "By The Light Of The Magical Moon" would be a good single for the LP (the acoustic and electric guitar licks are wonderfully clear). "Wind Cheetah" is probably the most hippy tune on here - a sort of Incredible String Band whine on an organ with layered voices. "Great Horse" sees his lyrical muse go wild as a 'strange beastie from the legend lair' seems to be master with his 'skull powdered cord'. I love the wild and grungy electric guitar finisher "Elemental Child" - a hooky little rocker that pointed the way to "T. Rex" in December 1970 and "Electric Warrior" in September 1971. I wish there was more of this on the album. Amidst the Bonus Tracks are the Steve Took Psychedelic contributions of "Once Upon The Sea Of Abyssinia" and "Find A Little Wood". 

"A Beard Of Stars" is probably the most accomplished and 'together' of the Tyrannosaurus Rex foursome of LPs - and this excellent 2004 CD Remaster of it makes that long forgotten music from 1970 ripe for rediscovery in my books.

Rock on you Wizard in the Lofty Skies - we the Children of Rarn salute you...

"T.Rex: Deluxe Edition" by T.REX [feat Marc Bolan and Mickey Finn] (2014 Universal/A&M 2CD 'Deluxe Edition' Reissue - Sean Magee Remasters) - A Review by Mark Barry...

"...Jewels Upon Her Lips..."

In May 1970 - Marc Bolan and Mickey Finn were still TYRANNOSAURUS REX for "Beard Of Stars" (their fourth platter under that Jurassic band name). But by the release of their self-titled fifth LP in December of that same year – the dynamic Hippy-Folk duo had wisely shortened it to T. REX and began to 'Bolan Boogie' for real. And that's where this uplifting yet oddly infuriating Universal 2CD 'Deluxe Edition' comes in.

The December 1970 album "T. Rex" was Marc Bolan going Electric – itching to rock 'n' roll your daughter and wear spangly stuff in his hair on Thursday night's 'Top Of The Pops'. And followed by the brilliant and uber-catchy "Ride A White Swan" 7" single in October 1970 – the tail end of 1970 really was the first time the British Public began to sit up and notice a genuine Pop Star in their midst. "...Wear your hair long baby..." as Bolan urged in the lyrics. Let's get to the details and the jewels on his lips...

UK released March 2014 - "T. Rex: Deluxe Edition" by T. REX on Universal/A&M 534 732-2 (Barcode 600753473221) is a 2CD 'Deluxe Edition' Remaster and plays out as follows:

Disc 1 (58:34 minutes):

The Original Album

1. The Children Of Rarn

2. Jewel

3. The Visit

4. Childe

5. The Time Of Love Is Now

6. Diamond Meadows

7. Root Of Star

8. Beltane Walk

9. Is It Love?

10. One Inch Rock

11. Summer Deep

12. Seagull Woman

13. Suneye

14. The Wizard

15. The Children Of Rarn

Tracks 1 to 15 are their fifth album (first as T. Rex) "T. Rex" - released 18 December 1970 in the UK on Fly Records HIFLY 2 and in the USA on Reprise RS 6440

BONUS TRACKS:

16. Ride A White Swan - 1st single as T. Rex - 9 October 1970 UK 7" single on Fly Records BUG 1, Non-Album Track, A-side

17. Summertime Blues - Non-Album Track, 2nd B-side to "Ride A White Swan" - the LP track "Is It Love?" was Track 1 on the B-side

18. Jewel - BBC Radio One, Top Gear, Recorded 26 Oct 1970, Broadcast 7 Nov 1970

19. Woodland Bop Medley (i) Woodland Bop (ii) Conesuala (iii) The King Of The Mountain Cometh (iv) Woodland Bop

BBC Radio, John Peel's Sunday Concert, 20 Dec 1970

20. Beltane Walk - Backing Track, Mixed For BBC Radio One Club, 29 March 1971 (prepared on 2 March 1970)

21. Summertime Blues - BBC Radio One, Dave Lee Travis Show, 9 December 1970

Disc 2 (59:36 minutes):

1. The Children Of Rarn Suite

2. Jewel (Alternate Take)

3. The Visit (Alternate Take)

4. The Time Of Love Is Now (Alternate Take)

5. Diamond Meadows (Alternate Take)

6. Root Of Star (Alternate Take)

7. Beltane Walk (Alternate Take)

8. Is It Love? (Alternate Take)

10. Summer Deep (Alternate Take)

11. Seagull Woman (Alternate Take)

12. Suneye (BBC Radio One, Top Gear, 26 Oct 1970)

13. The Wizard (Alternate Take)

14. The Children Of Rarn (Take 6)

15. Ride A White Swan (Mono) - BBC TV, Top Of The Pops, 12 November 1970

16. Dark Lipped Woman (Home Demo)

17. Deep Summer (Alternate Take)

18. Meadows Of The Sea (Electric Demo)

All PREVIOUSLY UNRELEASED except Tracks 1 and 12

The four inner flaps of the gatefold card digipak are filled with repro's of NME reviews, Fly Records promotional leaflets and sepia-tinted photos of MARC BOLAN and MICKEY FINN. The original British LP came with a die-cut front sleeve where the colour photo of the two on the front would come away from the cover and is pictured on the front of the jam-packed 24-page booklet. CLIVE JONES conceived, compiled and did the Tape Research - co-ordinating his extensive efforts with JOE BLACK at Hey Joe! and NIGEL LEES at Thurderwing Productions. MARK PAYTRESS - former leading light at the Record Collector Magazine well known worldwide authority on all things Marc Bolan did the hugely detailed liner notes. They’re peppered with a large number of unseen photos, memorabilia, the lyrics and a repro of a rare "Ride A White Swan" picture sleeve. SEAN MAGEE did the mastering at Abbey Road Studios using original tapes and the Audio is different to Gary Moore's version from 2004 for the single disc reissue that came in a card slipcase. There's wonderful clarity on this new go-round of familiar material.

I'd love to state categorically that "T. Rex" is an undiscovered masterpiece - even as a fan I couldn't say that with a straight face. After a 53-second intro in "The Children Of Rarn" (the final version also under the same name is 36-seconds) - we soon get down to something way more Funky-Rock - the wickedly good "Jewel" - a nasty groove that's still exciting to me - especially that grungy sound he gets and that wild ending. That promising start is followed by five Folkies - "The Visit", "Childe" and "The Time Of Love Is Now" amongst them - those warbling acoustic strums a little clearer. It's not until we reach "Beltane Walk" does that 'commercial' T. Rex start to register and I've always loved "Is It Love?" - another clever groover. But the side and even the whole album is dominated by the nine-minute new Rex sound of "The Wizard". The "...what's it called Marc?" dialogue that preceded the 'studio chatter' version of "Ride A White Swan" along with "Poem", Take 4 of "The Visit" and the Alternate Take of "One Inch Rock" that tail-ended the 2004 Remaster are oddly absent - replaced with BBC stuff - the best of which for me is their great cover of Cochran's "Summertime Blues". Amidst Disc 2's rarities - the fifteen and a half minute version of "The Children Of Rarn" is hard to take in one swallow but that "Dark Lipped Woman" demo is fascinating as is the Electric demo of "Meadows Of The Sea".

The precursor to "Electric Warrior" in September 1971 – "T. Rex" had that hangover Tyrannosaurus material that Bolan did well to ditch. So it’s a transitional album and has always suffered from that. In fact I’d argue that the now forgotten British compilation LP "Bolan Boogie" from May 1972 (a UK No. 1) was the LP "T. Rex" wanted to be all along but just never got there.

Still there’s much to love and even though it may cost you a wee bit more than its initial LP price of 42s 5d - this T. REX 'DE' has wickedly good audio and transitional stuff worth shelling out on...

"Looking On" by THE MOVE (2016 Esoteric Recordings 2CD 'Deluxe Edition' Remasters) - A Review by Mark Barry...

"...Show Us Your Lettuce..." 

As someone who's worked a lifetime in record shops - I can count on one hand the number of times I've actually seen a decent-condition Vinyl copy of The Move's third album "Looking On" from either side of the pond. Its like Procol Harum's "Home" (also from 1970) - sank without a trace on release despite its Hard Rock credentials.

Released as the first LP on Fly Records - famously the home of T. Rex, John Kongos and all those 'Twofer' double-albums for Regal Zonophone artists like Procol Harum, Tyrannosaurus Rex and even John Williams - "Looking On" disappeared after its December 1970 release date and has been all but lost to the mists of time ever since. It was belatedly released on Capitol Records in the USA in the spring of 1971 but did bugger all business their either.

Moving forward and away from the "Blackberry Way" Pop-Rock of the April 1968 debut "The Move" and more in keeping with the Rock progression of the "Shazam" album in February of 1970 - the "Looking On" LP was grittier – a far heavier affair - and essentially a new direction for the band. "Looking On" was a deliberate musical-segue into Hard Rock with some Prog leanings - and I'd argue the LP is a bit of a lost gem.

Which brings us to this superb new reissue. Esoteric Recordings (part of Cherry Red of the UK) have whomped MOVE fans with 2016 reissues of "The Move" and "Shazam" in single and multiple-disc 'Deluxe Edition' issues (see separate reviews and list below). Now we get their 3rd platter "Looking On" in a superbly presented 2CD 'Deluxe Edition' boasting a cache of Previously Unreleased BBC Sessions from the band line up that featured Roy Wood, Jeff Lynne, Rick Price and Bev Bevan (later with ELO). Here are the details...

UK released Friday, 27 May 2016 (3 June 2016 in the USA) - "Looking On" by THE MOVE on Esoteric Recordings ECLEC 22547 (Barcode 5013929464742) is a 2CD 'Deluxe Edition' with a 2016 Remaster and plays outs as follows:

Disc 1 (47:48 minutes)

1. Looking on

2. Turkish Tram Conductor Blues

3. What?

4. When Alice Came Back To The Farm

5. Open Up Said The World At The Door [Side 2]

6. Brontosaurus

7. Feel Too Good

Tracks 1 to 7 are their 3rd studio album "Looking On" - released December 1970 in the UK on Fly Records FLY 1 and April 1971 in the USA on Capitol Records ST 658. Produced by ROY WOOD and JEFF LYNNE - it didn't chart in either country.

BONUS TRACK:

8. Lightnin' Never Strikes Twice - non-album B-side of "Brontosaurus" released March 1970 in the UK on Regal Zonophone RZ 3026 and in the USA on Deram 1197

Disc 2 (47:06 minutes):

"Looking On" - Outtakes And Rarities

1. The Duke Of Ellington's Lettuce

2. Looking on (Part One - Take 3/Part 2 - Take 12)

3. Brontosaurus (Mono US Radio Promo Edit -

4. Turkish Tram Conductor Blues (Take 5 - Rough Mix)

BBC Sessions - March to July 1970 (All PREVIOUSLY UNRELEASED)

5. She's A Woman

6. Bev Bevan Interview

7. Brontosaurus

8. Falling Forever

9. Lightnin' Never Strikes Twice (Tracks 5 to 9 recorded 23 March 1970)

10. Looking On

11. When Alice Comes Back To The Farm

12. She's A Woman (Tracks 10 to 12 recorded 28 July 1970)

THE MOVE:

ROY WOOD - Oboe, Sitar, Slide Guitar, Cello, Guitar, Bass and All Saxophones

JEFF LYNNE - Guitar, Piano, Vocals Percussion and Drums on "Feel Too Good"

RICK PRICE - Bass

BEV BEVAN - Drums and Percussion

Guests:

DORIS TROY and P.P. ARNOLD - Backing Vocals on "Feel Too Good"

Each of Esoteric's reissues has come in single disc issues (plain jewel case) or - this - card digipak 'Deluxe Editions'. Here you get a chunky four-flap gatefold card sleeve with a 20-page colour booklet in the right pouch with a foldout two-sided poster in the left pouch and two picture CDs. The double-sided foldout POSTER is fab - a collage of black-and-white press clippings on one side with a full-page colour advert for the album on the opposite. Each flap has MOVE memorabilia (there's even photos beneath the see-through CD trays) and the 20-page booklet has in-depth liner notes from noted writer MARK PAYTRESS (author of many books from the period) with thanks to ROB CAIGER. There are trade adverts, reviews of the album and singles and photos of the hairy men themselves.

But the big news is a 2016 '24-Bit Digital Remaster' from original analogue tapes by the experienced Audio Engineer BEN WISEMAN done at Broadlake Studios in Hertfordshire (Tape Transfers done by ROB KEYLOCH at Church Walk Studios in London). The sound on here is HUGE and not without being overly bombastic for the sake of it. I think the word I'm looking for is 'muscle' - this CD sounds powerful - and as many tracks like "Turkish Tram Conductor Blues" rock out - the benefit is very much 'in your face' and for all the right reasons.

The album's hard-rocking credentials are set in motion with Roy Wood's "Looking On" - a great combo of Move-melody bolstered up some serious riffage - Wood's vocals teasing along with the guitar. The audio on this sucker is huge and I'd say its improved over my 2008 Salvo edition. One of my fave raves on the "Looking On" album is the take-no-prisoners Hard Rock of "Turkish Tram Conductor Blues". Written by Bev Bevan - it’s THE MOVE gone all riffage-mad - the spirit of Leslie West's MOUNTAIN inhabiting both Roy Wood and Jeff Lynne as they hammer down on those heavy guitars. But that's trumped. You can literally feel The Electric Light Orchestra emerging from Jeff Lynne’s "What?" track - gorgeous string arrangements and that strange ELO melody thing that Lynne gets whenever he's at the helm of a song. I love “What?” - both the vocals and guitars treated so that they warble slightly for effect - it's brilliant stuff. Roy Wood ends Side 1 with the slide guitar and ELO cello of a rocker - "When Alice Comes Back To The Farm" - his playing on here is just brilliant and worthy of Juicy Lucy's Glenn Ross-Campbell ("Who Do You Love?"). Fly Records UK tried a 45 in September 1970 featuring Wood's "When Alice Comes Back To The Farm" with Lynne's fab "What?" on the B-side (Fly Records BUG 2) - but no one took interest in this superb double.

Side 2 begins with near eight-minute opus that is Jeff Lynne's "Open Up Said The World At The Door" - an inventive Prog Rock piece that sees Roy Wood use Sitar, Obie and just about any other instrument lying around the studio. The vocal layers are so forthcoming ELO and it even manages some impressive boogie-woogie piano stretches throughout its ambitious duration. Regal Zonophone UK had tried Roy Wood's heavy heavy "Brontosaurus" as a UK 45 as far back as March 1970 (Regal Zonophone RZ 3026) and despite its slightly odd nature was rewarded with a No. 7 chart position. It's non-album B-side "Lightnin' Never Strikes Twice" turns up as a Bonus Track on Disc 1 - and for me was always better than the A-side (sounds awesome too). The album proper ends with Roy Wood's "Feel Too Good" - almost ten minutes of THE MOVE getting Funky-Piano-Rock with a bank of different guitars and the Remaster punching out Rick Price's Bass lines and Bev Bevan's fantastic drumming. Both Apple's Doris Troy and Immediate's P.P. Arnold are credited as providing girly backing vocals but it's hard to hear them with all that's going on. In fact by the time it gets to the "Feel Too Good" vocals and the silly 'show us your lettuce' old geezer talk - the song has probably overstayed its welcome if I'm truthful - but man does the Remaster make it 'rawk'...

For fans Disc 2 represents something worth getting excited about - a bunch of Previously Unreleased BBC Sessions sat alongside three of the rarities that turned up on the December 2008 ‘Salvo’ CD reissue of "Looking On". I just love the Beach Boys Acapella Vocals of "The Duke Of Edinburgh's Lettuce" - the silly Gardener portion of "Feel Too Good" - it only lasts for 1:29 minutes complete with studio dialogue lead in but it's just such great fun. Takes 3 and 12 of "Looking On" were issued as two separate outtakes on the 2008 Salvo CD reissue - here they've been segued into one nine-minute plus version. It sounds great too - much more guitar soloing while the piano tries to get a look in. I've never seen the 'Mono US Radio Promo Edit' of "Brontosaurus" on CD but it's worth having for collectors. Far better is the hard-rocking "Turkish Tram Conductor Blues" - a very cool alternate. "...Here on Top Of The Pops we move back onto the Progressive Rock bit with THE MOVE..." the announcer gets very excited about the new addition to band - ex Idle Race singer Jeff Lynne - as he lays into a great cover of The Beatles "She's A Woman".

The audio is good rather than being great it has to be said - but the power of the band is there for all to hear. We get a short interview with Bev Bevan talking about Carl Wayne's departure and Jeff Lynne's introduction and the new 'heavy' direction of the band. "Falling Forever" comes off so well - very cool vocals and a sort of Byrds feel to the melody. The March 1970 session ends with the B-side "Lightnin' Never Strikes Twice" - a fantastically good re-working of the song but unfortunately with that 'buried back in the mix' sound to the whole recording. The July 1970 session has roughly the same sound and features a three-minute cut of the 'heavy' "Looking On" while the slide of "Alice" is great - Wood tearing it up and clearly listening to too much Juicy Lucy. If anything the BBC stuff only goes to show what an exciting proposition The Move was at that time - alive with new material and an exciting new direction...(the second interview talks of ELO's genesis)...

THE MOVE would manage one more album - 1971's excellent and witty "Message From The Country" which EMI/Harvest Remastered into an Expanded Edition in 2005 (see separate review). They would of course then morph into THE ELECTRIC LIGHT ORCHESTRA or E.L.O. as they're now more commonly known and The Travelling Wilburys for Jeff Lynne with some of his lifelong musical heroes.

But I'd urge you to go back - way back - back to the days of "Brontosaurus" and his best buddy "Turkish Tram Conductor Blues" - back to a time when 39 schillings and eleven old pence could procure you this tasty platter. THE MOVE had a B-side called "Lightnin' Never Strikes Twice". With this superb reissue I think it has...

PS: UK released 29 April 2016 – THE MOVE CD Editions by Esoteric Recordings are:

1. The Move - 1CD 'Standard Edition' on Esoteric Recordings ECLEC 2537 (Barcode 5013929463745)

    The Move - 3CD 'Deluxe Edition' on Esoteric Recordings ECLEC 32536 (Barcode 5013929463646)

2. Something Else From The Move (June 1968 EP Expanded) - 1CD 'Standard Edition' on Esoteric Recordings ECLEC 2546 (Barcode 5013929464643)

3. Shazam - 1CD 'Standard Edition' on Esoteric Recordings ECLEC 2539 (Barcode 5013929463943)

    Shazam - 3CD 'Deluxe Edition' on Esoteric Recordings ECLEC 22538 (Barcode 5013929463844)

4. Looking in - 2CD 'Deluxe Edition' on Esoteric Recordings ECLEC 22547 (Barcode 5013929464742)

"The T.Rex Wax Co. Singles: A's and B's 1972-77" by T.REX (2002 Edsel 2CD Remasters - Reissued In 2014) - A Review by Mark Barry...

This Review Along With 500 Others Is Available In My

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"...Tippy-Toed Vamp A Rider..."

Although it doesn't contain his first four monster hits as T. Rex - "Ride A White Swan" (Oct 1970), "Hot Love" (February 1971), "Get It On" (July 1971) and "Jeepster" (November 1971) - this stunning April 2002 2CD set on Edsel MEDCD 714 (Barcode 740155171421) gives us everything afterwards and is a fantastic listen for it.

"A's and B's 1972 - 1977" does exactly what it says on the tin – providing you with all those EMI/T.Rex Wax Co Label UK 7" singles we bought in those distinctive T.Rex label bags (it stills gives me a kick to look at them to this day). Here's a detailed breakdown of the Metal Gurus and 20th Century Boys:

Disc 1 (69:56 minutes):

1. Telegram Sam b/w Cadillac and Baby Strange - January 1972, EMI/T.Rex Wax Co. Label T-REX 101

2. Metal Guru b/w Thunderwing and Lady – May 1972, EMI/T.Rex Wax Co. Label MARC 1

3. Children Of The Revolution b/w Jitterbug Love and Sunken Rags – September 1972. EMI/T.Rex Wax Co. Label MARC 2

4. Solid Gold Easy Action b/w Xmas Riff and Born To Boogie – December 1972, EMI/T.Rex Wax Co. Label MARC 3

5.  20th Century Boy b/w Free Angel – March 1973, EMI/T.Rex Wax Co. Label MARC 4

6. The Groover b/w Midnight – June 1973, EMI/T.Rex Wax Co. Label MARC 5

7. Truck On (Tyke) b/w Sitting Here – November 1973, EMI/T.Rex Wax Co. Label MARC 6

8. Teenage Dream b/w Satisfaction Pony – January 1974, EMI/T.Rex Wax Co Label MARC 7

9. Light of Love b/w Explosive Mouth – July 1974 – EMI/T.Rex Wax Co. Label MARC 8

10. Zip Gun Boogie b/w Space Boss – November 1974 – EMI/T.Rex Wax Co. Label MARC 9

Disc 2 (56:35 minutes):

1. New York City b/w Chrome Sitar – June 1975, EMI/T.Rex Wax Co. Label MARC 10

2. Dreamy Lady b/w Do You Wanna Dance? and Dock Of The Boy – September 1975, EMI/T.Rex Wax Co Label MARC 11

3. London Boys b/w Solid Baby – February 1976, EMI/T.Rex Wax Co. Label MARC 13

4. I Love To Boogie b/w Baby Boomerang – June 1976, EMI. T.Rex Wax Co. Label MARC 14

5. Laser Love b/w Life’s An Elevator – September 1976, EMI/T.Rex Wax Co Label MARC 15

6. To Know You Is Love You (To Know Him Is To Love Him) b/w City Port by MARC BOLAN and GLORIA JONES – January 1977, EMI Records EMI 2572

7. The Soul Of My Suit b/w All Alone – March 1977, EMI/T.Rex Wax Co. Label MARC 16

8. Dandy In The Underworld b/w Groove A Little and Tame My Tiger – May 1977, EMI/T.Rex Wax Co. Label MARC 17

9. Celebrate Summer b/w Ride My Wheels – August 1977, EMI/T.Rex Wax Co. Label MARC 17

The fold-out inlay with liner notes by T.Rex/Marc Bolan expert MARK PAYTRESS is jam-packed with details on the all the tracks and pictures those famous labels we bought in Woolworths with the excitement of buying the next Beatles seven.

The remasters are fabulous – full of power and muscle – giving "20th Century Boy" and "I Love To Boogie" huge punch.

It’s not all magic of course – “Dreamy Lady” is terrible dreck and I still recall the feeling of disappointment when “Truck On (Tyke)” came out – it was the end for him by that time. But tracks like “New York City”, “Teenage Dream” and “Laser Love” still have that Bolan magic - and how good is to hear all those cracking non-album B-sides - “Thunderwing” (lyrics above), “Sunken Rags”, “Free Angel” and “Life’s An Elevator” to name but a few. He used album tracks only twice to my knowledge – “Solid Baby” from "Bolan's Zip-Gun" and "Baby Boomerang" from 1972's "The Slider" – but again they’re superb inclusions. It’s also nice to have that Marc Bolan and Gloria Jones rare 7” on CD too. Speaking of one-off oddities – it’s worth mentioning the lone exclusion on this set – “Christmas Bop” which was to be MARC 12 in December 1975 – but was withdrawn.

Sometimes you don’t have to pay the earth to get great sound, fab music, nice presentation and a reasonable price for 2CDs. What a blast...and what a loss. I miss him…

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