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Showing posts with label Kevin Coffey. Show all posts
Showing posts with label Kevin Coffey. Show all posts

Friday 19 November 2010

“Rocks” by ELLA MAE MORSE. A Review Of The 2010 Bear Family CD Compilation.

"…Just Love Me…All Night Long…"

Released November 2010 on Bear Family BCD 16672 AR, "Rocks" offers up 34 slices of Ella Mae Morse’ varying styles – Easy Listening, Jazz Vocals, pumping Rhythm 'n' Blues and even Rock ‘n’ Roll – and it’s a peach. “Rocks” covers 1942 to 1957 on the Capitol label and at a stonking 84:33 minutes - doesn't scrimp it on content or value for money.

Like all the titles in this extensive series, "Rocks" comes in a 3-way foldout card digipak with a large detachable booklet in the centre (52-pages for this one). The CD label itself repros the 78” for “House Of Blue Lights” – a big hit for her and Freddie Slack in 1946 - complete with its Capitol Records label bag - and that's again repro’d in full on the flap beneath the see-through tray (a nice touch).

The substantial booklet features extensive liner notes from Page 2 to 30 by KEVIN COFFEY with a Discography for all 34 tracks from Page 31 to 45 by Kevin Coffey, LAWRENCE J. ZWISOHN and Bear Family’s owner RICHARD WEIZE. Especially worth noting is that the 40-page album-sized booklet which came with Bear’s extensive 5CD box set (from way back in 1997) was a dull black & white pictures affair… “Rocks” has considerably improved on that – there are lovely full-page colour shots of her two important album covers, “Barrelhouse, Boogie, And The Blues” (1954) and “The Morse Code” (1957). Added to that are in-studio-recording snaps which are new, trade adverts, sheet music and many of her American Capitol singles are pictured throughout - a typically top job done by Bear.

The remastered sound is by one of their best tape engineers JURGEN CRASSER – he handling the stunning “Blowing The Fuse” series (1945 to 1960 - I’ve reviewed all 16 volumes) and the “Sweet Soul Music” series (1961 to 1970 – all reviewed too). Alive, clean and full of well-recorded Capitol Records class - the sound is wonderful.

Musically - although Morse looked like some squeaky-clean 20-year old usherette serving popsicles in the movie theatre during World War II, musically this belied her vocal delivery. Ella was like a female Louis Jordan or a Bessie Smith, a white gal from Texas often mistaken for a black singer because of her slightly raunchy delivery when she got her hands on good R’n’B material (covers of Atlantic artist like Ruth Brown and LaVern Baker). A good case in point for this is the 10” LP of “Barrelhouse, Boogie, And The Blues” which to my mind is a criminally forgotten R’n’B masterpiece - and I’m glad to report that someone has been smart enough to put 7 of its 8 tracks on here. It opens with “Rock Me All Night Long” (lyrics above). Don’t get me wrong – not every track on here is rocking by any means – there are easy moments too - but they’re really good also. It just depended on the material she was given.

Speaking of history – when Capitol launched its first nine 78"s on 1 July 1942, Ella Mae Morse was there on Day 1. She sang lead with Freddie Slack and his Orchestra on the A-side of Capitol 102 - "Cow-Cow Boogie". It was a huge hit and quickly climbed to Number 1 - putting the fledgling label on the map. By 1946 Capitol had shifted 46 million records, by the mid Fifties they boasted two of the best selling singers in the Universe (Nat "King" Cole and Frank Sinatra) and by the mid Sixties they'd acquired some band from Liverpool in England (who also shifted some records - apparently). So you could say with confidence that Nick Tosche's assertion that she was one of 'the great unsung heroes of rock 'n' roll' is right. A musical chameleon, a sassy vixen, or just a good old gal with a nice voice – take your pick - but the world owes Ella Mae Morse for what her breakthrough led to.

Another cracker from those nice reissue people in Germany - and such good fun too.

In the vernacular - recommended the most...

PS: The "Rocks" Series by Bear Family features the following artists:

1. Pat Boone
2. Johnny Burnette
3. The Cadillacs
4. Eddie Cochran
5. Bobby Darin
6. Fats Domino
7. Connie Francis
8. Don Gibson
9. Glen Glenn
10. Bill Haley
11. Roy Hall
12. Dale Hawkins
13. Ronnie Hawkins
14. Screamin' Jay Hawkins
15. Wanda Jackson
16. Sonny James
17. Buddy Knox & Jimmy Bowen with the Rhythm Orchids
18. Sleepy LaBeef
19. Jerry Lee Lewis
20. Smiley Lewis [see REVIEW]
21. Bob Luman
22. Frankie Lymon and The Teenagers
23. Carl Mann
24. Amos Milburn [see REVIEW]
25. Ella Mae Morse
26. Ricky Nelson
27. Carl Perkins
28. Roy Orbison
29. Lloyd Price
30. Piano Red [see REVIEW]
31. Charlie Rich
32. Jack Scott
33. Shirley & Lee
34. The Treniers
35. Conway Twitty
36. Gene Vincent & His Blue Caps
37. Rusty York

The Bear Family "Rockin' Rollin'" Series features:

1. Johnny Horton
2. Marvin Rainwater
3. Marty Robbins Vol.1
4. Marty Robbins Vol.2
5. Marty Robbins Vol.3

PPS: I’ve reviewed the box set separately with attached 78”, 45” and LP discographies

Tuesday 22 June 2010

"Barrelhouse, Boogie, And The Blues" by ELLA MAE MORSE (August 1997 GERMANY Bear Family 5CD LP-Sized Box Set on Remasters with 32 Previously Unreleased Songs/Outtakes) - A Review by Mark Barry...



https://www.amazon.co.uk/Barrelhouse-Ella-Mae-Morse/dp/B000026ULS?crid=3M1SVLX0FXWHX&dib=eyJ2IjoiMSJ9.FiPyIHwwyA7tf04pF4Z4lQ.h-CpGCzVRd7fhkHHrjidlWQVBEunwLMBMO-T1Ym7Hs4&dib_tag=se&keywords=4000127161178&qid=1709979154&sprefix=4000127161178%2Caps%2C105&sr=8-3&linkCode=ll1&tag=mabasreofcdbl-21&linkId=1ad60de4438630fecaaa19d28dfa0c80&language=en_GB&ref_=as_li_ss_tl

This Review Along With Over 215 Others Is Available in my
SOUNDS GOOD E-Book on all Amazon sites

"MANNISH BOY" 
BLUES, VOCAL GROUPS, DOO WOP, ROOTS
RHYTHM 'n' BLUES and ROCK 'n' ROLL ON CD 
Exceptional CD Reissues and Remasters 

Thousands of E-Pages
All Details and In-Depth Reviews From Discs 
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"…Fall In There And We'll See Some Sights…
Down At The House Of Blue Lights…"

Released August 1997 by Bear Family Records of Germany, "Barrelhouse, Boogie, And The Blues" by ELLA MAE MORSE offers up 134 Mono tracks across 5 CDs housed in a 12" x 12" LP-Sized Box Set with a 40-page full-sized booklet. It covers her entire musical output for Capitol Records from May 1942 to June 1957 (32 are previously unreleased). 

The booklet has an essay on the popular singer by noted expert and fan KEVIN COFFEY (which includes Morse's involvement) and also boasts an updated and detailed session-by-session Discography with various photos, press reviews and trade adverts etc.

Bear Family BCD 16117 EI (Barcode 4000127161178) breaks down as follows…

Disc 1, 25 Tracks, 73:00 minutes
5 Tracks Are Previously Unreleased: "Solid Potato Salad" (9), "Boogie Blues" (12), "The Patty Cake Man" [Alternate Take] (15), "Take Care Of You For Me" (18) and "Jumpin' Jack" (21)

Disc 2, 27 Tracks, 73:29 minutes
8 Tracks Are Previously Unreleased: "That's My Home" (3), "Mister Fine" (4), "The Merry Ha-Ha" (5), "Old Spider Fingers" (19), "Am I In Love" (22), "Okie Boogie" (23), "Organ Grinder's Swing" (24) and "It's So Exciting" (25)

Disc 3, 28 Tracks, 66:08 minutes
11 Tracks Are Previously Unreleased: "Here Comes The Blues" (3), "The Song Is You" (5), "You've Taken An Unfair Advantage Of Me" (6), "Bouncin' Ball" (9), "Find A Man For Me Mama" (10), "You For Me" (12), "I'm A Rich Woman" (14), "Big Mamou (Intro)" (15), "Big Mamou (Outro)" (17), "Carioca" (19) and "T'Aint Whatcha Do" (24)

Disc 4, 29 Tracks, 69:38 minutes
5 Tracks Are Previously Unreleased: "It's You I Love" (5), "Dedicated To You" (7), "All I Need Is You" (13), "Afraid" (17) and "Once You've Been Lovers" (29)

Disc 5, 25 Tracks, 64:45 minutes
3 Tracks Are Previously Unreleased: "You Ought To Be Mine" (7), "Rockin' And Rollin'" (14) and "I'm Hog Tied Over You" (16)

First thing you notice is the saucy painting on the box cover - a full-sized repro of the artwork for her famous 1st album "Barrelhouse, Boogie, And The Blues" (a $400 rarity). It was initially issued as an 8-track 10" LP in 1954 on Capitol H-513 and then subsequently extended to a 12-Track 12" LP in 1955 on Capitol T-513 (I have used the 12-track version as one of the entries in my 'I Saw The Light: Overlooked Albums 1955 to 1979' e-Book of 500 entries - see March 2024 update).

They're actually two different beasts – the 10" has eight cover versions of Atlantic and King artists like Ruth Brown, LaVern Baker, The Ravens, Bullmoose Jackson and Billy Ward & His Dominoes – so it's a Fifties R 'n' B peach. The extended 12-track 12" however suited 1955 by adding on four crooner tunes to the eight rockers – actually giving it a far more rounded feel. And because both album sleeves suggested the singer was a sassy, voluptuous, sexpot (the kind of woman your white-haired mother warned you about), it wasn't surprising to find that both punters and singers in the industry (Sammy Davis, Jr. included) were stunned to find that in the flesh Ella Mae Morse wasn't black at all – but a young squeaky-clean white woman from Mansfield in Texas with an ah-shucks smile and a pretty frock. But therein lies another story…

When Capitol launched its first nine 78"s on 1 July 1942 - Ella Mae Morse was there on Day 1. She sang lead with Freddie Slack and his Orchestra on the A-side of Capitol 102 - "Cow-Cow Boogie". It was a huge hit and quickly climbed to Number 1 - putting the fledgling label on the map. By 1946 Capitol had shifted 46 million records, by the mid Fifties they boasted two of the best selling singers in the Universe (Nat "King" Cole and Frank Sinatra) and by the mid Sixties they'd acquired some band from Liverpool in England (who also shifted some records - apparently). So you could say with confidence that Nick Tosche's assertion that she was one of ‘the great unsung heroes of Rock 'n' Roll is right (the lyrics to the pre-Rock 'n' Roll 1946 song "The House Of Blue Lights" are above). Dress hanging off her shoulder or not – the world owes Ella Mae Morse for what her breakthrough led to.

Niggles – the booklet doesn't picture a single 78", EP nor LP which is just ridiculous when you're paying this amount of money. The text is peppered with cheesy shots of her in the Capitol studios – the kind of sanctioned non-offensive crud Rock 'n' Roll just had to wipe away. And the music itself is not all great either – the crooner stuff starts to sound repetitive – too many brassy Peggy Lee clones. Having said that, the Capitol production values are fabulous throughout – even on the early 78"s - brought out by the tape transfers and mastering skills of RICHARD WEISZ and NICK ROBBINS (of Ace Records fame and an Engineer with decades of Audio transfer experience).

Born in 1924 - Ella Mae Morse passed away in 1999 at the age of 75 - a deeply religious woman whose career is unfortunately only remembered by a select few. At least she lived to see this 5CD box set finally do her and her musical legacy proud. Despite my misgivings about the bland booklet and the lesser tracks, this is a typically brilliant Bear Family project – keeping alive for posterity what must and should be remembered.

For fans of the Forties and Fifties, "Barrelhouse…" is recommended big time and something of a hidden reissue gem in the Twenty-Twenties. The casual buyer, however, should opt for a single best of like the excellent 1992 'Capitol Collectors Series' CD or Bear Family's own single-CD compilation "Rocks" which I've also reviewed...either has all that you need. 

Thanks you lovely lady for your pioneer spirit...

The SOUNDS GOOD MUSIC BOOK Series...

I SAW THE LIGHT
Overlooked Albums From 1955 to 1979
(Features Ella Mae Morse's Debut Album from 1955 on Capitol Records)

Your All-Genres Guide To
Exceptional CD Reissues and Remasters 
Reviews for over 500 Forgotten LPs
A Huge 3,200 E-Pages of In-Depth Info From The Discs...
(March 2024 Update)


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