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Showing posts with label Dan Penn. Show all posts
Showing posts with label Dan Penn. Show all posts

Sunday 30 January 2011

"Sweet Inspiration – The Songs Of Dan Penn And Spooner Oldham" by VARIOUS ARTISTS. A Review Of The 2011 Ace Records CD Compilation.

"…I’m Yours…To Have And To Hold…"

You know you’re in the presence of a great compilation when the compilers put Dionne Warwick and Charlie Rich on a 'soul' CD – clever choices and class acts. And this latest issue in Ace’s 'Songwriters' series is a real class act - a bit of a masterpiece frankly.
But to the details first…

Released Monday 31 January 2011 in the UK (15 February 2011 in the USA), Ace Records CDCHD 1284 breaks down as follows (66:52 minutes):

1. Out Of Left Field by PERCY SLEDGE (1967, Atlantic 2396)
2. I’m Your Puppet by DIONNE WARWICK (1968, Scepter 12352)
3. Sweet Inspiration by THE SWEET INSPIRATIONS
(1968, Atlantic 2476)
4. A Woman Left Lonely by CHARLIE RICH (1971, Epic 10745)
5. I Worship The Ground You Walk On by ETTA JAMES
(1968, Cadet 5606)
6. I’m Living Good by THE OVATIONS (1969, Goldwax 342)
7. Take Me (Just As I Am) by SOLOMON BURKE (1967, Atlantic 2416)
8. Cry Like A Baby by ARTHUR ALEXANDER (1969, Sound Stage 7 2652)
9. It Tears Me Up by JEANNE NEWMAN
(Previously Unreleased Goldwax Recording From 1966)
10. Slippin’ Around With You by ART FREEMAN (1966, Fame 1008)
11. I Met Her In Church by TONY BORDERS (1969, Revue 11040)
12. Are You Never Coming Home by SANDY POSEY (1967, MGM 13824)
13. Let It Happen by JAMES CARR
(Previously Unissued Alternate Version of Goldwax 323)
14. Everything I Am by THE BOX TOPS (1967, Mala 580)
15. Feed The Flame by TED TAYLOR (1967, Atco 6481)
16. Watching The Trains Go by TONY JOE WHITE
(1968, Monument 1053)
17. In The Same Old Way by ARTHUR CONLEY (1966, Fame 1007)
18. Denver by RONNIE MILSAP (1969, Scepter 12246)
19. Dreamer by PATTI LaBELLE And THE BLUEBELLES
(1967, Atlantic 2408)
20. Good Things Don’t Come Easy by IRMA THOMAS
(Originally Unissued Chess Recording From 1967 Put Out In 1988)
21. I Need Someone by THE WALLACE BROTHERS (1968, Jewel 792)
22. He Ain’t Gonna Do Right by BARBARA LYNN (1968, Atlantic 2585)
23. Wish You Didn’t Have To Go by TOMMY ROE (1965, ABC 10706)
24. Let’s Do It Over by JOE SIMON (1965, Vee-Jay 694)

The mastering has been done by NICK ROBBINS at Sound Mastering in London and the extensive 28-page booklet features a 10,000-word exploration of every track by noted soul aficionados TONY ROUNCE and BOB DUNHAM. I’ve raved about the Bear Family CD compilations “Sweet Soul Music” from 1961 to 1970 (reviewed all 10) and their great sound and packaging (regularly hitting 70 pages and beyond in each booklet) – well Ace are on the same tip here because their booklet is a truly fabulous read – and beautifully laid out. There isn’t a wasted page – photos of the artists, 7” US singles in their label bags (some demos), trade adverts – it’s just a feast of informative and enthusiastic detail that enhances your enjoyment of these deeply Southern Soul sides. Even the inlay under the see-through plastic tray advertises other Ace releases with Penn/Oldham songs on them – and after hearing this peach - imminent purchase of all seven advertised CDs may become a priority – credit-crunch or no…

The sound quality varies from the merely good (“Out Of Left Field”) to the stupendous (“Take Me (Just As I Am)”, “Dreamer” and “I Need Someone” - and back again. Mostly it just sounds great throughout. These are big American labels and rarely does the quality dip. But what overrides all of that is the awesome material itself and how it’s been sequenced…

Take “I’m Your Puppet” (lyrics above) – the version everyone knows and loves is by James And Bobby Purify – Ace has craftily chosen a lesser-heard but equally sweet Dionne Warwick version from her 1969 US album “Soulful”. When I put this CD in our shop play shuffle on Saturday, this track immediately brought soul customers to the counter asking after it. The intense Percy Sledge version of “It Tears Me Up” is another – the compilers know that as good as it may be, Percy’s version has been heard one too many times – so it’s been replaced with a countrified-soul version by Bobby Gentry soundalike Jeanne Newman – and it’s just brilliant. And a major previously unreleased coup occurs with the James Carr track – Ace have uncovered an alternate take of the slow and majestic “Let It Happen” where the background vocals are removed - it even features him talking a little as the track plays out – wow!

Then there’s the picture on Page 17 of the ultra-rare Tony Borders Fame 7” single “I Met Her In Church” – it’s a Northern Soul monster and will have NS fans weak at the knees and stroking their debit cards with an evil glint in their eye - already forming a great excuse for the wife when she gets to see the bank statements at the end of the month. It all ends of a lethal triple-whammy – Barbara Lynn and Joe Simon versions to die for - even the “Dizzy” Tommy Roe gets a moment to shine on “Wish You Didn’t Have To Go”.

Niggles - I suppose looking at the 66 minute plus playing time - you could argue that more tracks should have been included, but actually I think the lack of overkill is perfect – quality and not quantity.

To sum up - both Penn and Oldham have been underground white-boy songwriters for Black Soul music for decades – and finally this disc does them justice. I’m more than impressed – easily one the hippest and best reissues to date in 2011. Well-done boys and roll on Volume 2…

PS: if you want to hear Dan Penn cover his own huge hits – check out his own solo outing on CD from 1991 called “Do Right Man” – it’s brilliant and he’s possessed of the loveliest Tony Joe White type voice and warmth.

Sunday 19 July 2009

“Very Extremely Dangerous” by EDDIE HINTON. A Review of the 1978 Album Reissued on a 1997 USA-Only CD.


EDDIE HINTON is part of my Series "SOUNDS GOOD: Exceptional CD Remasters 1970s Rock And Pop" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

                       http://www.amazon.co.uk/-/e/B00LQKMC6I

"…I Got The Feeling…The Feeling For Love…And It Feels Alright…"

1. You Got Me Singing
2. Concept World
3. I Got The Feelin'
4. Shout Bamalama
5. Get Off In It
6. Brand New Man
7. Shoot The Moon
8. We Got It
9. Yeah Man
10. I Want It All

Eddie Hinton's voice is part Otis Redding part Bobby Womack part Frankie Miller - and as you can imagine with credentials 'that' good - his guttural singing style is considered to be a thing of wonder among soul aficionados.

Recorded in November 1977 at the Muscle Shoals Sound Recording Studio in Sheffield, Alabama and released in March 1978 on Capricorn CPN-0204 in the USA only, this obscure and criminally forgotten LP received good reviews at the time of release, but produced poor sales. And it's been the very definition of ‘lost masterpiece' ever since.

Sporting what has to be one of the worst titles for an LP ever and an album cover that wasn't much better, "Very Extremely Dangerous" is a soul-rock album on a label more associated with the southern boogie of The Allman Brothers, The Marshall Tucker Band and Elvin Bishop. This 1997 remaster by FRED MEYER was part of Polygram's "Capricorn Classics" CD series - but now deleted - it too is equally rare (42:05 minutes).

The session players for the album were:
EDDIE HINTON - Guitar, Piano & Vocals
BARRY BECKETT - Piano, Organ and Moog Synthesizer (also Produced)
JIMMY JOHNSON - Guitar
DAVID HOOD - Bass
ROGER HAWKINS - Drums
HARRISON CALOWAY - Trumpet
HARVEY THOMPSON - Tenor Saxophone
DENNIS GOOD - Trombone
RONNIE EADES - Baritone Saxophone

"You Got Me Singing", "I Got The Feeling", "We Got It" and "Yeah Man" are solo Hinton songs with ALVIN HOWARD co-writing on "Concept World", "Get Off In It", "Brand New Man" and "I Want It All". DAN PENN of the legendary Dan Penn/Spooner Oldham song-writing team co-wrote "Shoot The Moon" while "Shout Bamalama" is not surprising an Otis Redding cover version.

Barry Beckett's production is typically accomplished and lovely (he was one of the founders of the Muscle Shoals Studios). His history in music is extraordinary - and apart from being on so many legendary sessions as to be ridiculous - he was also at the production helm of umpteen great albums - "Communiqué” by Dire Straits (their underrated 2nd album) and Dylan's "Slow Train Coming" to name but a few (with Jerry Wexler). Which brings me to Meyer's remaster combined with Beckett's top production values - it's produced a delicious finish on this CD - a lovely warm sound that's full and sweet.

The songs have a distinctly Southern feel - they range from mellow to funky and are most effective when they slow right down. The majestic soulful build of "I Got The Feeling" is typical - a slow soulful groove is found, licking guitar then backs it up and is sided by the legendary Muscle Shoals brass - all the while Eddie is wailing like Otis is in the room and he has to impress his mentor. The boppin' "Shout Bamalama" sounds Little Richard in party mode with the boys in the band having a ball. “Yeah Man” is fabulous too – a slinky little number that goes down like honey. But the album's gem for me is "Get Off Of It" which is almost Van Morrison in its mystical soulful vibe - it's just beautiful. It contains the album's title in its lyrics and is as successful a fusion of rock and southern soul as I've ever heard.

The downside is of course acquiring this peach. Most will baulk at the extortionate prices now being asked for this rare deletion (time for a re-issue Hip-O Select), but when you hear it - you'll understand why it's worth the wallet-full required... Hinton died in 1995 at the age of 51 and this - his debut LP after years of session work - is a powerful legacy.

Lovely stuff - and recommended big time.

PS: this review is dedicated with affection to the memory of Barry Beckett who passed away in June of 2009

INDEX - Entries and Artist Posts in Alphabetical Order