"Darkness, Darkness" by PHIL UPCHURCH (March 2008 Japan-Only Universal/Geffen SHM-CD Remaster in a Jewel Case) - A Review by Mark Barry...

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"…Inner City Blues…"

Chicago-born session guitarist Phil Upchurch had put out two albums on Cadet Records - "Upchurch" in 1969 and "The Way I Feel" in 1970 - when he then signed to Tommy LiPuma's new label - Blue Thumb. "Darkness, Darkness" was his debut for that record label and is quite rightly considered by many to be a masterpiece of Jazz-Funk and Soul.

Produced by Phil Upchurch and Tommy LiPuma - it was originally issued as a 2LP set on Blue Thumb Records BTS 6005 in July 1972 in the USA and then subsequently on Island/Blue Thumb Records ILPS 9219 in the UK.

There are two variants of the Japanese CD. First up is a 27 June 2001 standard CD jewel case edition on MCA/Universal UICY-3308 (to locate it use Barcode 4988005272263). It is not a SHM-CD but was cut using the 'Rubidium Atomic Clock' Process and sounds beautiful too (I also have that issue). But what makes this 2008 reissue 'sing' is the new 24-bit remaster combined with the Super High Materials format on which it's pressed (a SHM-CD in industry lingo). The sound quality on this disc is superlative - a truly gorgeous Audio Transfer and a very real advert for what this 'best of the best' format can do. Here are the details for that issue...

Released 5 March 2008 in Japan – "Darkness, Darkness" by PHIL UPCHURCH on Universal/Geffen UICY-93418 (Barcode 4988005506979) also comes in a 5" Mini-LP card sleeve that reproduces the original gatefold artwork front and rear - and has an OBI (different to the 2001 issue) and outer cellophane protective wrap with the SHM-CD sticker. It breaks down as follows (67:06 minutes):

1. Darkness, Darkness [Youngbloods cover, Jesse Colin Young writer]

2. Fire & Rain [James Taylor cover]

3. What We Call The Blues [Phil Upchurch song]

4. Cold Sweat [James Brown cover]

5. Please Send Me Someone To Love [Percy Mayfield cover]

6. Inner City Blues [Marvin Gaye cover]

7. You've Got A Friend [James Taylor cover]

8. Love & Peace [Arthur Adams song]

9. Sweet Chariot [Traditional Song cover]

10. Sausalito Blues [Phil Upchurch song]

PHIL UPCHURCH - Lead Guitar

ARTHUR ADAMS - Rhythm Guitar

JOE SAMPLE of THE CRUSADERS - Keyboards on Tracks 1, 2

DONNY HATHAWAY - Keyboards on Tracks 3 and 10

BEN SIDRAN - Organ on Track 8

CHUCK RAINEY - Bass

HARVEY MASON - Drums On All [except DON SIMMONS on Track 4]

As you can see from the track list and musician credits above, it's heavy on cover versions of the time (the title track itself is written by Jesse Colin Young of The Youngbloods) and the sessions featured the cream of musicians in the field. It was also engineered by Bruce Botnick of Elektra Records production fames (The Doors, MC5 and Love).

Musically - if you were to give "Darkness, Darkness" a comparison - it's "Breezin'" by George Benson and "Free As The Wind" by The Crusaders (both from 1976) - only 5 years earlier. Each track is a jazz-guitar-driven instrumental with a very funky and soulful feel. The quality of songs is also uniformly excellent, even if "Fire & Rain" can sound at times a little like The Shadows doing a cheesy cover version. The two Upchurch originals are superb especially the slow BB King feel of "What We Call The Blues". The playing standard is exceptional - and the warmth of the remaster only accentuates that. It's a joy to listen to - it really is. The title track "Darkness, Darkness" was written by Jesse Colin Young of The Youngbloods and picked up before Upchurch had a go by English Rockers Mott The Hoople who did a cover of it on their "Brain Capers" LP on Island Records in 1971. You can so hear why both like it as a song - it swings and grooves. Other faves include a Jazz-mellow cover of the old Percy Mayfield classic "Please Send Me Someone To Love" and a neck-jerking Funk-guitar work out of Marvin Gaye's wonderful What's Going On album finisher "Inner City Blues (Makes Me Wanna Holler)". Ben Sidran slinks about on the Organ for the Arthur Adams cover of "Love & Peace" – another fab groove and something that sounds 2016 and not 1971.

On the SHM-CD format "Darkness, Darkness" is presently a Japan-only release - and is already deleted, so it will therefore cost you to acquire it - but it's so worth it if you can. If you want a less pricey but equally worthy variant - there is also a May 2014 Higher Plane CD Reissue of the album out of the States on Higher Plane HIPE5502.2 (search Barcode 0639857550224 for that release).

Any guitar player who was the principal sideman to such soul luminaries as Jerry Butler and Curtis Mayfield has got to be up there. Superb stuff and big time recommended...

PS: His second LP for Blue Thumb - "Lovin' Feeling" from 1973 - was also reissued in 2008 on the SHM-CD format on Geffen UICY-93419. 

And at a budget level on the 'Chess Best Collection' Standard CD Series out of Japan - 1969's "The Way I Feel" and 1969's "Upchurch" (with Charles Stepney and Donny Hathaway) were both reissued 27 August 2014 on Universal/Cadet UICY-76555 and Universal/Cadet UICY-76556 (Barcodes 4988005840202 and 4988005840219 respectively). Unfortunately neither is reported to have been remastered and present only so-so sound...

“Pass The Plate” by THE CRUSADERS (2008 Universal 'Originals' CD Reissue - Kevin Reeves Remaster) - A Review by Mark Barry...

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"…Felt Good…Nice And Good All The Way…" 

Ten years after their formation in 1961 - THE CRUSADERS finally dropped the word "Jazz" from their name and continued with a funkier direction for their debut LP on Chisa Records in 1970  - “Old Socks, New Shoes...New Socks, Old Shoes" (Chisa CS 804). Both “Old Socks…” and this - their rare 2nd album “Pass The Plate” on Chisa Records CS 807 - are available as part of Universal’s ‘Originals” CD Reissue Series.

UK released October 2008 - "Pass The Plate" by THE CRUSADERS on Universal/Verve/Chisa B0011961-02 (Barcode 602517833333) is a straightforward 7-track transfer of their rare 2nd album and is part of their Universal’s ‘Originals’ CD Reissue Series - Soul, Funk, Fusion and Jazz albums in card digipaks at mid price (42:16 minutes). Here are the platefuls…

1. Pass The Plate

(a) Tap N' Shuffle (b) Sing For Your Keep (c) Beggin' (d) Haggin' Stomp! (e) Pennies, Nickels & Dimes

2. Young Rabbits ’71-’72

3. Listen And You’ll See

4 Greasy Spoon

5. Treat Me Like Ya Treat Yaself

6. Goin’ Down South

7. Love Can’t Grow Where The Rain Won’t Fall

Tracks 1 and 2 written by Wayne Henderson, Track 4 by Nesbert Hooper and Tracks 3, 5, 6 and 7 by Joe Sample

The line up was still a four-piece (with Arthur Adams supplementing on guitar):

JOE SAMPLE - Keyboards

WILTON FELDER - Saxophones

WAYNE HENDERSON - Trombones

NESBERT "STIX" HOOPER - Drums & Percussion

ARTHUR ADAMS - Guitar

"Pass The Plate" was originally released May 1971 in the USA on Chisa Records CS-807 as a single album in a fetching gatefold sleeve (NO UK equivalent). Originally produced by STEWART LEVINE to great effect - this 2008 CD reissue is a straightforward copy of that album. Experienced and long-standing Engineer KEVIN REEVES has carried out the Remaster at Universal Mastering Studios and the sound quality is fabulous - funky, clear and muscular - just what's needed. The tri-gatefold card digipak reproduces the original fold-out artwork and informative liner notes by LES CARTER of KPPC FM Radio Station (there is no booklet.

Side 1 opens with the near 16-minute title track "Pass The Plate" by Wayne Henderson which is broken into 5 parts (a) Tap N' Shuffle (b) Sing For Your Keep (c) Beggin' (d) Haggin' Stomp! (e) Pennies, Nickels & Dimes. "Pass The Plate" was actually edited down to 2:42 minutes and issued in May 1971 as a 7" single on Chisa C 8013 with the slinky "Greasy Spoon" from Side 2 of the LP as its brilliant B-side (title of this review is spoken by the drummer at the end of the song). This lone 45 was issued and distributed solely by Motown, hence both sides of it (along with an unreleased version) have turned up on Disc 4 of the "The Motown Singles Collection Volume 11A: 1971" from February of 2009.

Side 2 contains two of my favourites - a lethal double whammy opening of Joe Sample's sweet and soulful "Listen And You'll See" followed by the already mentioned funky chestnut "Greasy Spoon". Sample's "Goin' Down South" is a wicked groover too. The only track that I find hard to take is the uncomfortably fast "Young Rabbits-'71-'72" which ends Side 1 - a little too fusion for my old foggy ears.

"Pass The Plate" is typical of so many of The Crusaders Seventies LPs - funky Jazz-Soul with a wee bit of fusion thrown in - and to this day it's still cool, wonderfully slick and just so listenable. This cracking but long-forgotten Jazz-Funk Meisterwork is now less than mid-price on CD and it's one I urge you to check out.

The Crusaders - I never tire of them...

PS: See also my review for another superlative Crusaders set - the 2CD Anthology “Gold” with amazing Gavin Lurssen Remasters…and "Old Socks, New Shoes", "Images" and "Free As The Wind" - and Joe Sample's "Rainbow Seeker" solo LP...